As stated above, there's no question that vinyl can go quite low, but deep bass is one of the few areas, maybe the only area, where Redbook standard CDs can actually exceed the performance of well pressed vinyl. Very deep bass on vinyl is constrained by the physical limits of the groove width. Loud music requires wide grooves. Deep bass requires wide grooves. The problem arises when you try to have loud deep bass because you'll fairly quickly run into playback tracking problems. At 60Hz this is not an issue and I believe it only becomes serious once you start to get below 40Hz. There's also the issue of running time per side of vinyl. Large amounts of deep bass cuts down the running time available per side. As a practical matter it is very rare for mastering engineers to purposely press vinyl with sub-30Hz info. Also deep bass on vinyl is always (100% of the time) mixed mono. Redbook CDs can have true channel independence down to any frequency.
How much LF info on LPs?
Hi.
I would like to ask how much audible Low-frequency information do you get from your speakers when spinning vinyl? I know that vinyl definitely doesn't go as low as CDs. That being the case, then wouldn't speakers with good bass extension be irrelevant and a waste of money in a vinyl-only system? I've noticed that big bass=big money, in general. What are your experiences?
I didn't find this anywhere in the archives. If it is there, please direct me.
Thanks!
I would like to ask how much audible Low-frequency information do you get from your speakers when spinning vinyl? I know that vinyl definitely doesn't go as low as CDs. That being the case, then wouldn't speakers with good bass extension be irrelevant and a waste of money in a vinyl-only system? I've noticed that big bass=big money, in general. What are your experiences?
I didn't find this anywhere in the archives. If it is there, please direct me.
Thanks!