How much difference will a phono stage upgrade make?


For the past couple of years I’ve slowly been upgrading my audio equipment. I currently have a Primaluna Dialogue Premium HP integrated amplifier, an EAT C-Sharp TT with an Ortofon Quintet Black MC cartridge, and Tannoy Revolution XT 8F speakers. The weak link at this point, it would seem, is my phono stage, which is a Pro-Ject Tube Box DS. All things considered, my system sounds really good to my ears, but I can’t help but wonder what a phono stage upgrade would bring to the table. I’m looking at the Manley Chinook Special Edition MK II, which is a big step up in terms of cost, but I wonder how much better it will actually sound. Has anybody made a similar upgrade, and was there a marked uptick in sound quality?
12hz

Showing 2 responses by bdp24

The last time I heard an upright bass (being played by Todd Phillips, an old friend from San Jose. He's worked with David Grisman, Tony Rice, Jerry Douglas, Joan Baez, Ricky Skaggs, Del McCoury, Stephane Grapelli, Taj Mahal, too many others to list), the 19th Century German instrument was about four feet away from my bass drum. A little further away were a pair of acoustic guitars and a mandolin. I have played many times with acoustic piano, Blues harp, fiddle, pedal steel guitar, tenor and baritone saxes, trumpet, and many vocalists.

Yes, I am well aware of the sound of acoustic instruments. "In spite" of that, I like tubes ;-). I also like the sound of my solid state pieces (SACD player, power amps, First Watt x/o, Revox and Nakamichi tape recorders, Mac tuner, Stax headphone amp, a bunch of others). Any other suggestions Raul?

Keith Herron worked in the pro sound field for years, designing and making solid state electronics exclusively. He now makes solid state power amps for the consumer market, but when it comes to phono and line stages chose to go with tubes. He did so for a reason. Ask him, he'll tell you all about it. And yes, Keith is a music lover.