How Many Turntables Have You Owned


As for me... My first that I can remember was a Webcor - part of their Holidy package. then... Garrard, Benjamin Miracord, Dual, Bogen, Thorens TD 124, and 121, Rek o Kut, LinnSondek, Grado, Rega, SME, VPI... I probably have forgotten a few
stringreen

Showing 6 responses by lewm

Since early 70's: AR with AR tonearm, then Transcriptors Reference with Vestigial tonearm, then Thorens TD125 with Keith Monks tonearm then Alfason tonearm, then Sota Star Sapphire III with Alfason at first and then later the Triplanar, then Notts Hyperspace with Triplanar, now Lenco L75 in giant CLD plinth w/Triplanar. Each of these was at least a little better than the one that went before. I may have forgotten one or two that I owned back in the 70s or 80s. Currently also own a Garrard 301 sans plinth and a Technics SP10 MkII also sans plinth. I plan to do a Lenco/Garrard/Technics shoot-out and pick one (or two) to keep.
The Vestigial tonearm has to be the weirdest device I ever owned. It should not have worked well, and I really have no recollection of how it sounded. But I think it inspired the Dynavector 505/507, which certainly is a top level tonearm. The Vestigial also reminds me of the 47 Labs RS-A1, in terms of its unorthodox approach. I really bought the Transcriptors because I could not resist its coolosity (to borrow a word from the late Harvey Rosenberg).
I did indeed have an ADC XLM at about the time I owned the Transcriptors/Vestigial, but I don't remember that there was any special association between the two. The XLM was just thought to be a great cartridge in those days. I once bought about ten XLMs in a local discount house, carried them on a plane trip to England, and sold them at about 40% profit to a dealer in London. (The deal had been arranged beforehand.) Just about the only time I've relished the wonders of buy low /sell high. The Black Widow tonearm comes up now and then on the Agon sale site and/or on eBay. Not as rare as the Vestigial, and probably a lot better sounding than the V.
Hi Soren, Do you like your L07D? Since this thread started, I bought one and am using it regularly after having the electronics refurbished and upgraded. I absolutely love it. The tonearm has a lot wrong with it in theory, but sounds wonderful in combination with my Koetsu Urushi (after I carefully cleaned and enhanced all the contacts in the signal path, of which there are too many).
This thread is like a group therapy session. I feel much better knowing I am far from the "sickest" one here. I posted here last time in 2008. Since then I sold my Technics SP10 Mk2, bought an NOS SP10 Mk3 and built a plinth for it, bought two Kenwood L07Ds and sold one, bought a Victor TT101 which is currently being re-capacitored. Also, I mounted my Lenco L75 in a PTP'd slate plinth way back in 08 or 09, added a Jeremy Superbearing. I was about to sell my Denon DP80 (which I believe I already owned in 08), found no takers, and at the same juncture bought the TT101 from eBay in "broken" condition. It turned out not to be broken. So now I have SP10 Mk3, Kenwood L07D, Lenco L75, DP80, TT101. Notwithstanding the fact that I have not heard the TT101, the list is probably in order of preference, altho the Kenwood is VERY close to the Mk3, just "different". And I could live with the Lenco alone, happily.
Paraneer, If you are going to write out "piece of shit", there is no need for "POS". (Kidding.)

Paraneer an Csontos, you are nowhere near sick enough to participate in this thread, if those are your respective lifelong lists of turntables, unless you are both no more than 30 years old.