Its getting harder to find music we're willing to pay $100 or more to hear. Seems that the musical directors in So Cal vibrate between Mozart and Mahler, ignoring most of what was written in between, except of course for Beethoven's overexposed warhorses. We'd eagerly buy tickets to hear more Haydn, Mendelssohn, Schuman, Dvorak or Brahms, but the opportunities are becoming all too rare.
