Small rooms are the most difficult. You have at least three acoustic issues in a small room:
1. Early onset of reflections (causes coloration and/or compromised imaging);
2. Worse room modal situation than in larger rooms so the bass is lumpier;
3. Often excessive room gain in the bass region (depends on many factors including speaker and listener locations).
In a very large room, the speaker's power response (summed omnidirectional response) tends to dominate the perceived tonal balance, so that matters a lot more than the on-axis response does (unless you listen nearfield), and often in a large or open-floorplan room the boundary reinforcement is insufficient in the bass region so the speaker tends to sound thin and weak. Also the higher power levels required to reach satisfying SPLs in a larger room can tax a speaker both thermally and mechanically.
I recently did a fair amount of experimenting in the course of investigating a small-room-friendly speaker system, and came to some rather ironic conclusions. For example, in order to get the radiation pattern control that gives good performance in a small room by minimizing early reflections, a physically rather large speaker is required.
Now there is a school of thought that calls for very aggressive use of absorption on the walls of a small room, and this relaxes the radiation pattern control requirement. Unfortunately this approach also eliminates beneficial late-arriving reverberant energy.
I recommend spreading out the bass sources as much as is practical regardless of room size as this smooths the in-room bass response (I can explain why if you'd like). Even a little bit of spacing can be beneficial; for instance, a two-way floorstander with the port on the rear down near the floor has the two bass sources (woofer and port) fairly far apart in two dimensions, and this will usually sound smoother than having the woofer and port displaced in only one dimension. If excess boundary reinforcement is an issue, that can often be addressed by reducing the port tuning frequency (which is easier to do than raising the tuning frequency).
Duke
dealer/manufacturer
1. Early onset of reflections (causes coloration and/or compromised imaging);
2. Worse room modal situation than in larger rooms so the bass is lumpier;
3. Often excessive room gain in the bass region (depends on many factors including speaker and listener locations).
In a very large room, the speaker's power response (summed omnidirectional response) tends to dominate the perceived tonal balance, so that matters a lot more than the on-axis response does (unless you listen nearfield), and often in a large or open-floorplan room the boundary reinforcement is insufficient in the bass region so the speaker tends to sound thin and weak. Also the higher power levels required to reach satisfying SPLs in a larger room can tax a speaker both thermally and mechanically.
I recently did a fair amount of experimenting in the course of investigating a small-room-friendly speaker system, and came to some rather ironic conclusions. For example, in order to get the radiation pattern control that gives good performance in a small room by minimizing early reflections, a physically rather large speaker is required.
Now there is a school of thought that calls for very aggressive use of absorption on the walls of a small room, and this relaxes the radiation pattern control requirement. Unfortunately this approach also eliminates beneficial late-arriving reverberant energy.
I recommend spreading out the bass sources as much as is practical regardless of room size as this smooths the in-room bass response (I can explain why if you'd like). Even a little bit of spacing can be beneficial; for instance, a two-way floorstander with the port on the rear down near the floor has the two bass sources (woofer and port) fairly far apart in two dimensions, and this will usually sound smoother than having the woofer and port displaced in only one dimension. If excess boundary reinforcement is an issue, that can often be addressed by reducing the port tuning frequency (which is easier to do than raising the tuning frequency).
Duke
dealer/manufacturer