How do I get the best soundstage?


I have a better than decent digital system. I.e. Pass integrated amp, Innuos streamer and USB reclocker, Ayre DAC with Less Loss power cable and firewall, Volti speakers. I’m my dedicated listening room the digital system is sonically superb to my ear - Except that the soundstage is ok but not the best. So, maybe I missed the boat on that. I have a vintage Technics table and Phono box S2 (basic start for vinyl). I’m now ready to move up to a better TT and phono preamp. I already have a used TT, a VPI Classic, coming. So, I’m looking for advice on how to get an exceptional soundstage. Should I be looking at spending more on the phono preamp or does the cartridge make more of a difference in soundstage. Also, should I be questioning the speakers for soundstage quality?. I’m looking to spend no more that 3500 on a used preamp. The VPI table has a low output mc Transfiguration Axia cartridge. Thanks in advance for any ideas you can share!

hysteve

Showing 2 responses by lewm

Hysteve, I have not digested all of the posts that came after my original one, wherein I asked whether you have ever been able to experience what you feel is "excellent" sound staging with the Volti spkrs. My unspoken point was that a friend of mine owns a pair, and in his house, in his smallish room, I always felt that the music appeared to emanate from an unnaturally flattened source, like all the musicians were down on the floor with their instruments. I also felt I could hear the treble as separated from the bass and mids. The owner of that system eventually raised his spkrs up on stands by about 6 inches or a foot. As I recall, this was even recommended by Volti. That helped a lot to achieve a more realistic "concert hall" or jazz club experience, where usually the musicians are either raised above the audience or on the same level as the audience. I cannot recall whether that maneuver also ameliorated the sense that bass/mids and treble were separated from one another. But he was a lot happier. He was using very high end components, a Dohmann Helix TT, Durand Telos tonearm, TOTL Lyra cartridge, driving a Ypsilon phono stage via either a Ypsilon or EMIA SUT, into an EMIA amplifier. Also, bear in mind that I use very tall planar full range spkrs at home, so I may be hypersensitive to multi-driver arrays.

I see above that Volti make more than one spkr.  These were their top of the line models, costing more than $20,000, I think.

In your past experience have you once been satisfied with the soundstage afforded by the Volti spkrs?