How Do I Choose A Phono Preamp


I have a Technics 1200G turntable/ Hana ML, Audioquest Cinnamon interconnects and a McIntosh MA 12000 feeding Wilson Audio Sabrina X.

I figure that an integrated phono stage is pretty hard to execute and this would be better handled by an external phono preamp and best with a well isolated power supply.

How do I shop for a phono preamp?  I'm ok new, or used.  Any suggestions as to what specific amps to look at?

vonhelmholtz

Showing 5 responses by ghdprentice

My first choice for phono stages is Audio Research… I think a used ARC PH8 is a real sweet spot. You will get the most out of your turntable and your next. I have owned many (slowly upgrading each 5 or ten years) over the last 35 years. Compared to many others… they are world class and very worth it. 

Also Conrad Johnson or VAC or Cary. Each brings a great strength of musicality as well as details and great finesse.

 

Presto is a newer company

I am surprised at different peoples criteria. Mine has been:

 

1: Sound Quality

2: Cost

So, for many many years I had wished my current Phono Stage had a second input. I owned ARC for decades from PH2, PH2SE, PH3… PH8… Ref 3. Finally Audio Research added a second input… the REF. I think I hooked up my old AR turntable for a couple days and unplugged it. Why did I want to plug in a second grossly inferior table? 
 

At least for me, it is about sound quality. That is it.

@holmz

Good question.

Sound quality is both objective and subjective evaluation.

For me, it began very subjective… chasing heavy bass, quieter noise levels and greater detail: making rock music more impactful and dynamic.

But over time, I realized that to make all music sound better on my system I needed to improve it objectively. For twenty years I worked diligently to “learn” what real music sounds like at every opportunity… I listened to individual instruments, and went to hundreds of acoustic concerts. I steeped myself in live music to learn its nuances. This is not as easy as it sounds. First you have to realize that amplified concerts are not helpful… they are too influenced by the amplification and venue. You have to listen to it a lot and learn terms to characterize it, to adjust for the venues. But like anything else many hundreds or thousands of hours allows you to develop an in depth understanding… and this gives you an internal empirical ruler.

This approach slowly began to effect my appreciation of reproduced music at first. Then it radically began influencing my choices as I learned what real music sounded like. All, genera of music sounded better and better as reproduced from my system.

So, while even for me sound quality is still a combination of both, it is much more objectively driven.

OP,

 

👍 Thanks for the update. I look forward to hearing your impressions.