How are you playing your precious MONO Vinyl?


I am about to invest in MONO Vinyl playback setup.

The goal -  pure, undiluted music straight down the center. 

The plan - dedicated 2nd tonearm + mono cartridge + phono

After 6 long months of waiting, my Woodsong plinth with dual arm boards schedule to arrive next month. 

I came across a product that peaked my interest. The Monaural Phono Amplifier - Aurorasound EQ-100. No reviews, so I am wondering if anyone tried it yet? 

⬆️ Is EQ-100 or something similar, absolute necessary from a purist perspective or should I take the pragmatic path and use the ‘Mono’ switch on my Integrated with a built in phono?

There are ofcourse pros and cons to both approaches so I am seeking advice from folks who have  compared  both options or adopted another alternative in their vinyl setup. 

Thank you for your time! 

lalitk

⬆️ It makes sense not to chase a specialized phono stage for just one anomaly, especially when the rest of your collection sounds great through RIAA. 

Thanks for your participation! 

If you look at graphs of the various curves generated by the different algorithms, they are not terribly different from one another, because after all the goal was essentially the same.  So I might be happily listening to some of my 50s mono LPs where the pre-emphasis was other than RIAA via the RIAA de-emphasis curve built into all my phono stages; I just don't hear a problem, except maybe with those Louis and Ella recordings on EMI, which date from 55 or earlier.

Here’s a question. Suppose you have a mono cartridge but don’t know whether it’s a true mono or a bridged stereo type. How would you tell the difference?

I asked essentially this same question a few years ago to the experts at Ortofon and the answer is there is no difference electrically and, therefore, no difference sonically.

The difference between what we are calling a true mono cartridge and a stereo cartridge that has been bridged to produce a mono signal in both channels is presumably that the true mono cartridge has had one of the pair of coils that serve each channel (assuming a MC design) either re-oriented so it does not pick up vertical movement of the cantilever, or there is no coil for that function. So my question really in disguise is what electrical measurement would tell you that? It is interesting that Ortofon responded to your question in the way you describe, because it was my experience a few years ago when I was investigating which cartridges are true mono, and which are not that Ortofon is very vague in describing how they derive their mono cartridges. As I recall, the description of the Quintet mono cartridge in particular was so ambiguous that one could not tell whether it was a true mono or a bridged stereotype. And I think that was deliberate. Surely the engineers at Ortofon do know the different ways to build a mono cartridge and the structural differences that result. Ortofon is not the only cartridge maker that leaves the question open or ambiguous.