Holographic Soundstage ?


I would like to share my observation and hopefully get some input from people who have the same interest.

My system consist of Wharfedale Opus 3 , Krell KRC-3 preamp, Krell KSA 150 amp, Chord Qutest DAC and a computer with JCAT USB EX running Roon/with LPSU from HDPlex.
I mainly like holographic soundstage and would be able to achieve a very good 3D soundstaging with my current Krell setup.
I decided to try out tube amp a couple days ago because I read through the internet and everybody told me that tube amp always have better holographic soundstage and 3D imaging comparing to SS amp.
So I order a Raven Blackhawk MK3 from Raven audio with 45 days home trial just to try it out. I was expecting a very holographic soundstage that will blow my Krell out of the water.
Well, I was so WRONG. The Krell combo actually has a deeper and wider soundstage comparing to the Raven.
The Raven also has some very weak bass comparing to the Krell which is more punchy and tonally rich textured bass.
I cannot understand why it happens. I am always under the impression that tube amp will always provide more holographic soundstage. Obviously, In my set up the Krell is superior when it come to 3 dimensionality.

I will keeping trying out the Raven Blackhawk in the next couple of weeks and if things are not improved. I am ready to return the Raven and perhaps trying out the other tube amps (or solid state amps) that can beat the Krell combo.

If any one has some idea of such a product, please let me know. I am looking for an upgrade right now.

viethluu

Showing 1 response by ghdprentice

The idea of tubes being holographic is a broad generalization and is highly specific to the individual component and the result of the whole system. All components matter. .

Yes, keep them for a while, you need at least 200 hours on it before the component starts sounding like it should (usually 400 or more to fully break in)... keep it going when you are awake. But definitely return it if it doesn’t do exactly what you want. In that case you got a chance to really learn about a component in detail. To me it takes a couple weeks of listening to music (not to the system sound) to understand what a component sounds like.
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The end result you want is a perfectly reasonable one. But it is going to take a lot of work... reading, listening at dealers, and experimenting. The sound you are looking for is balancing a system on a knife edge of tonal balance to have enough high end detail but not be harsh and really quite background. The most holographic systems I have heard were based on Wilson speakers... although they by no means are the only speakers good at it. But... it is every piece of equipment and the interconnects that will get you where you want to go.