Here ya go:
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@Technorob said: “I currently have both 005 and May. The May just edges it in most areas by a small margin, with the exception of layer separation, stage width and depth where the May is significantly better.” I will throw in my thoughts. I can definitely see Technorob’s point of view on “layer separation, stage width and depth” being different on the May, but not better. (To my old ear, the other aspects were not “just edged[s]” out by the May but too close to call.) It is a matter of perspective, double entendre intended. Many, if not most audiophiles, highly value layer separation, stage width and depth. The underlying frame of reference for most is probably amplified non-acoustic electronically produced music that exists only in recordings, not in real space. Big clear layering and sound stage sounds great with a lot of non-accoustic recorded music and will be preferred by many. In my opinion, the May does, compared to the 005, provide an unreal feel of spacial separation and distance at the same time. This is like seeing an image get bigger as you walk further away. As a real concert goer, this is a distortion, even though many will love the effect. It also gains separation by missing natural sound between instruments I will explain. My perspective is what I hear at a live unamplified concert. If you want maximum separation of instruments and voices, you would have to be very close to the stage if not actually on it. Even then the sound would only be sharply separated and layered if you were listening with your head physically in between instruments. Realistic perspective is similar in both sight and sound. When you walk closer to a destination the visual details in you visual field naturally become more visible and separate. It’s the same with sound. When you walk closer to the stage, the sound field gets bigger and instruments sound further apart in space. There is some layering partly depending on your elevation, but nothing in the realm of “audiophile” layering. Sound naturally blends together in the real world. Yes, 3-d palpability exists in the real world, but not in the way many audiophiles love or imagine. I said this in my review:
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I'm a bit confused by the review provided by @dbb. The referenced review says: "I fed both dacs via computers (an Asus mini and an Asus laptop) because I had two. Thus I could do quick comparisons by preamp input switching. I recently bought an Ifi Zen Stream network bridge/streamer which, after some frustration, I hooked up via ethernet cable." These are relatively noisey/cheap sources to compare expensive dacs with. Not remotely in the same performance category as the dacs. No mention of the quality of the cabling. Are we talking a $5 ethernet cable or Audioquest Diamond? If someone with an end-to-end great system made the comparisons, I'd find the results more useful. You're always held back by the weakest link in the chain, especially when it is the source. At least @dbb described his equipment he was reviewing with. Too many don't. And he was certainly thorough and articulate! |