Hihat Question

I rarely use my Schiit Loki but it's there when I need it, and one thing it does amazingly well is provide a "cymbal" boost with its 8khz pot. On some fave LPs from the 70s there can be some reticence in the high end and the Loki instantly fixes that issue. One beef I've had for years, especially with some fave jazz trios, is the drums are mixed at too low a level (I mix live shows, and for many jazzers it's somehow accepted to not mic live drums at all in cases where everything else is miked, even though recordings by that same group may have hotter drums), and the ridiculous drum mixing choices of recording producers and engineers who think it's "cute" or something to stick some parts of the kit to the far left or right for some sort of stereo feel...resulting in what appears to be a 37 foot wide kit played by a very long armed drummer, or "hey...let's get a guy at the far wall to play that cymbal." Sticking the drum kit in a proper spot in the soundstage always sounds better than otherwise...John Atkinson (I think) made some comment about how he puts a cymbal or some other part of the kit way outside the drum soundstage image because he can, but he shouldn't. Ever.