High resolution digital is dead. The best DAC's killed it.
Before then, there was a consistent, marked improvement going from Redbook (44.1/16) to 96/24 or higher.
The modern DAC, the best of them, no longer do this. The Redbook playback is so good high resolution is almost not needed. Anyone else notice this?
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- 181 posts total
The Real Reason Some People Prefer Analog To Digital
There’s a problem that has been ignored by the entire music industry which I believe is really important for music-lovers that I think you my want to investigate. Approximately 35 years ago when digital media was introduced to the music consuming public as a media with “Perfect Sound Forever” the music industry made a huge screw up when it got the playback polarity of digital music on CDs and later DVDs, etc. in reversed (inverted polarity). On a purely random basis that means that digital media and files are heard in the wrong polarity approximately 85% of the time and either 92% wrong or correct when audio systems are set to a fixed playback polarity.
The result is that the music played in inverted polarity sounds harsh and two-dimensional. And that’s probably the major reason that some music-lovers still believe (without knowing the real reason) that analog sounds better than digital. Analog media plays in the correct polarity over 99.9% of the time but also sounds bad if played in inverted polarity. It’s difficult if not impossible to make meaningful comparisons of the fidelity and musicality of media and audio components when they aren’t playing in absolute polarity. The better the playback system the easier it is to hear the differences in polarity. Confusion over polarity may cause music-lovers to expend needless time and money trying to smooth out the irritating and flat sound of digital media when the real problem is music played in inverted polarity.
This should be an object lesson on how an entire industry with its experts and electrical engineers can get it wrong and not do anything about if for over 35 years and counting! So it should be an object lesson that the entire industry that creates recorded music and is based upon scientific principles continues to mostly get polarity wrong.
I've written two monographs that go into great detail about the problem at: http://www.AbsolutePolarity.com andhttp://www.PolarityGeorge.com. If you or anyone you know might be interested in developing ThePerfect Polarizer™ that will detect and correct polarity in real-time, then please forward this email to them/encourage them to contact me, because I believe it could be accomplished with AI/App. Now, do you want to be part of the problem or part of the solution?”
Respectfully submitted,
George S. Louis, Esq., CEO Digital Systems & Solutions President San Diego Audio Society (SDAS) Website: www.AudioGeorge.com Email: AudioGeorge@AudioGeorge.com Phone: 619-401-9876
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“On a purely random basis that means that digital media and files are heard in the wrong polarity approximately 85% of the time and either 92% wrong or correct when audio systems are set to a fixed playback polarity.” >>>>>That’s the second time you wrote that. Can you explain what you mean by that? It kind of doesn’t make sense. And why would analog be correct Polarity 99% of the time yet digital be incorrect Polarity most of the time.... or am I misinterpreting your statements? |
@audiolouis You make a lot of very verbose claims about audio polarity. Can you point out a specific track or better yet, CD which you feel should make this perfectly obvious to anyone? Preferably something on Tidal. Next, are you stating that that you have solved the Vinyl sounds better issue, and that with proper polarity, digital will sound as good or better than Vinyl? Thanks so much, Erik |
- 181 posts total