High expectations when listening to an orchestra


If you listen to an orchestra and expect to hear the real thing, you’re certain to be disappointed.
There’s no way you can come close to that experience  with your equipment.  An orchestra in your listening space is an impossibility. Therefore you have to adopt a “suspension of disbelief.”  In other words, trick yourself into believing it’s the real  thing.  You have to bring your imagination to the equation.
The degree to which you can suspend your disbelief, will determine how much enjoyment you get.
Of course, the better the quality of your equipment, the closer you will come.
With lesser forces than an orchestra, such as a few instruments or solo instrument or voice, the easier it becomes to approach reality.
rvpiano

Showing 4 responses by millercarbon

Know just what you mean. For years and years I had this habit of some time during a show get up and walk around checking out how it sounds in different locations. Started young, thought next time I will know where to sit. Dumb kid, like everything isn’t completely different each time! But then even after I figured that out it was still interesting to hear the differences. All these thousands of people paying big money, and some of them getting pure crap for sound.

One time, Steely Dan at The Gorge a beautiful outdoor venue on the Columbia River, was some of the most atrocious sound I ever heard! In some places. In others it was quite good. The sound guys were set up on a big platform dead center in front of the stage about 1/3 of the way back. I went and stood as close to them as I could get. Within maybe 10 feet of where they were standing in front of their big console.

The sound from there was the best I ever heard at a show! Audiophiles love to argue about soundstage being fake. Let me tell you, those guys had to be mixing for it because the sound there was total holo-3D! Rich and full and dynamic and smooth and balanced, everything you want it to be. For them. For the paying schlubs, some of them were treated to screechy dreck so bad I do not for the life of me know how they sit there and take it. But from the sweet spot, damn!

Years later I went to see the Eagles. This time there was no good seat. There was no good sound. I was in the bathroom getting tissue to shove in my ears. At some point they fixed something and the sound went to almost okay. But this is where we get to the thing about live music: It was the Eagles. Don Henley, Joe Walsh, Glenn Frey.... and I never saw them before and let me tell you that much talent produces a vibe and you feel it and for the first time in my life it was like who the f--k cares about the sound it’s the fricken Eagles!
Even bad live music beats recorded music, on many systems 😎
You really think so? How many minutes of me banging out Chopsticks to change your mind?
There’s no way you can come close to that experience  with your equipment.

Diapers! Er, what I mean is, depends. One time way up high in a back balcony at Benaroya Hall I was struck by how much this sounded like my system at home. Violin sounded virtually the same. Put it this way, more difference between different recordings than what I was hearing here live vs at home. This was 20 years ago. 

Another time, sitting a lot closer more like center floor 10-15 rows back, that I could not do. Not then. Now? Different story. So nowhere near easy, but you can come awfully close. Come and listen. You will see.