HiFi News Test Record Azimuth


I recently got the HiFi News Test Record and wanted to know what was your experience with setting up the Azimuth.
I got very low output when I flicked the mono switch but how do I know whether it’s set right?
kunalraiker

Showing 4 responses by millercarbon

The electron microscope. By far the best images are obtained with electron microscopy. What is especially lovely about this is it only works with metal. So the record is cut up, the stylus and record and everything vapor deposition coated with metal. The beauty of this is you have a super clear image that totally absolutely destroys the cartridge and record. Which is pretty much what you do when you start dissecting anything this obsessively.
The mirror method will properly orient the diamond and if the cartridge is well made the
coils also.

What is the mirror method?

If the cartridge is well made then the stylus is aligned with the cantilever is aligned with the generator is aligned with the body. Therefore we can look at the body. So what do we need a mirror for? 

Audiophiles always making things unnecessarily, illogically, complicated.
That's not it. Everyone's missing it. The problem is there are at least three different aspects, and while yes they all matter there really is no way of aligning them all- unless it was done right at the factory.

From the ground up we have the azimuth of the stylus. This affects the stylus ability to accurately trace the groove. Then there is the azimuth of the generator. This can be MM, MC or MI, doesn't matter from the point of view of azimuth they are all the same and this definitely affects crosstalk. This is the one we are adjusting with test records.

Then there is the azimuth of the cartridge body, which is what we all see and know. We trust that the manufacturer built all this stuff in alignment, that the generator is not twisted within the cartridge body, that the stylus is not cockeyed on the cantilever. 

If they did then we can simply eyeball azimuth and be done. But if not then we get to play around with test record after test record, and can easily spend a small fortune in time and money on all the various ways of trying to second guess whether or not the dang thing was made the way it looks like it was made!

Maybe with a cheap cartridge that is a viable question. But cheap carts go on cheap arms, and they tend to not have a lot of adjustments. VTA is far more important, and look how few have VTA on the fly. By the time you get into the expensive arms and cartridges that have azimuth adjustment, well if you don't trust your mega buck cart to be built right why'd you buy it in the first place? So the whole thing is whack.

Finally, I notice we have a recent thread where the poor new guy was turned off vinyl, and why? Because of all the navel-gazers obsessed with every micro minutia theory who kept telling him how impossible it is to play a record. It is not impossible. It is easy. Just go back and read the second sentence of my first post again and relax and enjoy the music.
Uh oh. Least important spec in all of cartridge setup. You will now be subjected to thousands of words to the contrary. After which if you spend an inordinate amount of time and money chasing this rabbit you will be forced by cognitive dissonance to agree with them. Cognitive dissonance being the mental condition that prohibits you from realizing you screwed up. Even though we all screw up all the time, indeed it is the normal way of the world, still we refuse to think of ourselves in this way. And so once having devoted untold hours of effort trying to understand and achieve perfect azimuth, winding up right back where you started, rather than admit it was a waste of time you will tell the next one how critically important it is. And so the wheels on the bus go round and round.