HI-FI NEWBIE NEEDS HELP!


I am new to the higher end of music listening, actually I haven’t started the listening part yet. I have just purchased an Emotiva XSP-1 pre and a pair of Magnepan 1.7i’s. My listening room is 14x14 but one wall is not closed off completely and there is an additional open space connected that is 8x9. My budget has been unexpectedly diminished more by having to buy new connectors and speakers cables. I just assumed I would be able to use my old RCA connectors and my 50’ spool of speaker wire I bought from Radio Shack 25 years ago. I will pause while you laugh....Anyway, the jist of it is is that I’ve got $2500 left for an amp. I need advice on what would be good for my setup? What would last the next 25 years, as I am a poor man with expensive tastes and will probably not be able to make any further upgrades. Would something used and older be out of date technically in 10-15 years? Could I consider something new that would be adequate for that price point? Should I go mono or two channel? Thank you for your consideration and reply.
widespreadpanic

Showing 5 responses by noromance

For a start, odd harmonic distortion present in some systems is more discernible while high levels of even order HD are less offensive.
As far as losing information, let’s assume a straight wire with gain. Now, electronically, consider the hundreds of PN junctions in a digital system compared to a non-digital system. Then the actual ADC/DAC conversion processes? Digital amplifiers? The replication losses changing formats? SMPS power?
If you take a direct to analogue recording and digitize it, you will lose information due to losses inherent in the process. Of course, remastering can add in subtle delays and effects to enhance the sound but it is not the same as the precious original. Again, in other words, once you subject the original signal to interference (pun intended), you lose data.
Distortion and resolution are intimately related: with distortion you lose resolution. 

Again, not necessarily. You can have 1% THD and high resolution.

@willemj Interesting points on total distortion comparison. My take is that if the measurable distortions (or not perfectly flat frequency response) do not detract from the general resolution of the system, then it is not a big deal. One can get hung up about small quantitative measurements while missing the bigger picture- the quality of the music reproduction. In other words, the goal is not to lose data at any cost, rather than minimum distortion at any cost. In fact DHT SETs with horns reproducing every minute nuance of emotion from a 60s mono LP may be more satisfying than an ultra low measured distortion rig which loses that detail at every step of the reproduction process. Remastering for example. Further, while vinyl has measureable and audible distortions, a great analogue recording will always sound better than one in which the data has been irretrievably lost.
So you claim that your hearing is better than e.g. an Audio Precision Audio Analyzer? Do you have evidence for this?

Not necessarily. My claim is that my amplifiers sound differently depending on many factors. E.g. different coupling caps, tubes, feet, power cable. It is quite obvious. In fact, changing my platter mat changes the sound dramatically. Reproducible over a number of tests. Perhaps it is not the sensitivity of my hearing which is in question here, but of yours.

Willem, perhaps the scientific test tools are not sensitive enough. I can assure you my amps can sound different by even changing the substance they sit upon.