Herron VTPH-2A vs ModWright PH 9.0

While I have a Herron in order, the Mod deserves to be in your radar - I would ignore anyone dismissing the products of this fine small company- I spent considerable time evaluating the seminal power amp they produce and a person I trust deeply has their phono stage with a Well Tempered labs / AT MC - superb sound.
i went with the Herron for a variety of reasons, some unique to requirements/ constraints.
keith has been a joy to work with !
enjoy your search and the music

I was hoping to read more side-by-side comparisons of these phono stages. On paper the Modwright has some advantages but that doesn’t speak to sound quality differences. I like Modwright’s Lundahl step up approach on the MC input vs Herron’s FET-based MC gain stage. I own the Herron and it undeniably sounds much better when paired with a SUT through the MM inputs and tube signal. The fact that the Modwright has all switches on the front panel, a mono switch, and optional transformer coupled balanced XLR outputs - all for slightly less than the Herron makes me very curious to hear it.

Just to push the thread up, I too would be highly interested in such a comparison !

I own the Modwright, and have heard the Herron, but not side by side.  I was leaning towards purchasing the Herron, but after discussions with beta-testers of Dan's PH9.0, I changed my mind.  I've had it now for almost a year.  It's a hard thing to describe, since it's quite neutral IMHO.  My impression of the Herron in my friend's system is that it's a bit more holographic, and a little bigger than life.  It is a joy to listen to.  Could be his system though. 

In my system, the Modwright just gets out of the way and doesn't call attention to itself.  Yet when I play complex orchestral music, it's all there.  I can follow the individual lines of different instruments and the voices of choral groups do not all blend into a hodge-podge.  It's a group of people singing together and I feel their synchrony, or lack thereof as it may be.  Deep bass, clear highs, all there without obtruding.  It's just music!

For what it's worth, my cartridges are the Audio Technica ART-9, an Ortofon mono MM, and a Dynavector DV20xl.  They all seem to find their voices with the Modwright, and come through with their own character.  The Modwright is just one of those quietly competent things that you hardly realize is working so well until you try something else.  Strong recommendation.

Forgot to say, the Modwright phono 9.0 replaced an Aesthetix Rhea that I've been using for the past 10 years.  The Rhea was great and delivered the "breath of life" that makes you feel you are listening to real human beings making music.  It had a midrange to die for, and a bit like the Herron, felt a bit bigger than life.  The Modwright is less fullsome in the midrange (not at all lean), but I think true-er to the actual recording.  HTH.