A short time back, the listening group of which I am a member (systems from $3000 to $300,000 and 15,000+ pieces of software) did a shootout between a REL Stentor III and a VMPS Larger Subwoofer with a Marchand xover and Crown K2 amp.
To the absolute amazement of almost all of us, the VMPS won hands down on everything but build quality and appearance. It was just as tight, more musical, MUCH more dynamic, and it integrated seamlessly with a pair of JMLabs Mezzo Utopias. Despite the 10" Volt driver in the REL and the huge no-name drivers in the VMPS, we had no sense that the VMPS ever got behind the MUs. On a homemade digital recording of the organ at St. Philip's Cathedral in Atlanta, the sound of the enormous stopped 32' flues was impressive on the REL but on the VMPS actually created the hair-raising shudder that one experiences when actually in the near presence of the pipes. No subwoofer I've ever heard did this so authentically.
Don't get me wrong, both sounded absolutely superb. In the opinions of a dozen very experienced musicians and listeners, however, the VMPS clearly came out on top.
It was an eye-opener, especially for a confirmed REL lover like me. Maybe Brian Cheney knows something after all.
Anyone else made comparisons of this sort?
will
To the absolute amazement of almost all of us, the VMPS won hands down on everything but build quality and appearance. It was just as tight, more musical, MUCH more dynamic, and it integrated seamlessly with a pair of JMLabs Mezzo Utopias. Despite the 10" Volt driver in the REL and the huge no-name drivers in the VMPS, we had no sense that the VMPS ever got behind the MUs. On a homemade digital recording of the organ at St. Philip's Cathedral in Atlanta, the sound of the enormous stopped 32' flues was impressive on the REL but on the VMPS actually created the hair-raising shudder that one experiences when actually in the near presence of the pipes. No subwoofer I've ever heard did this so authentically.
Don't get me wrong, both sounded absolutely superb. In the opinions of a dozen very experienced musicians and listeners, however, the VMPS clearly came out on top.
It was an eye-opener, especially for a confirmed REL lover like me. Maybe Brian Cheney knows something after all.
Anyone else made comparisons of this sort?
will