You really can't go wrong with either the 334 or Plinius. I've owned the Plinius SA100 and the Levinson 331. I think the Plinius in class A is more open and extended. The 331 has great mid-range. I personally lean twards the sound of the Plinius just because it's more "there". The major down-fall of the Plinius is in class "A" it draws 1000 watts and creates a huge amount of heat. I loved them both, but I happen to feel my Aloia, at a bit below the cost of the others is a better amp, in all ways. They only put out 35 watts, but I've never felt I was lacking anything. I now bi-amp with two units (something I would have done with the others too)
Help Levinson 27.5, 331 or Plinius SA100?
I'm looking at these amps for my system of Sonic Frontiers SFL-2, SFT-1 transport, Theta Pro Basic IIIa, Vandersteen 2Ce SIgnatures.
Since I listen to complex orchestral music, as well as jazz & vocals, I want an amp with a big, open, pinpoint soundstage that separates individual instruments well. But I also want to hear each instrument as an individual entity, with bloom and dimension. I dislike sibilance or brightness, but don't want a rolled-off sound either.
I want too much, right?
Reading reviews on Audioreview.com, each of these amps received widespread praise. Some loved the older Levinsons, such as the 27.5 & 23.5, and criticized the newer (331-336) models as disjointed or rolled off or unreliable.
A number of 331-336 owners loved the pieces to death.
Most loved the Plinius.
I want to get to the bottom line on these pieces. Can someone help?
Since I listen to complex orchestral music, as well as jazz & vocals, I want an amp with a big, open, pinpoint soundstage that separates individual instruments well. But I also want to hear each instrument as an individual entity, with bloom and dimension. I dislike sibilance or brightness, but don't want a rolled-off sound either.
I want too much, right?
Reading reviews on Audioreview.com, each of these amps received widespread praise. Some loved the older Levinsons, such as the 27.5 & 23.5, and criticized the newer (331-336) models as disjointed or rolled off or unreliable.
A number of 331-336 owners loved the pieces to death.
Most loved the Plinius.
I want to get to the bottom line on these pieces. Can someone help?
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