Hardware or source materail


Hello –

The following is for context.

I am an old guy. I grew up in the days a Mac 225, AR3a, EPI, Phase Linear. I have only recently stopped working full time so I bought the following for my small office listening area, about 12x12.

Debut Carbon/Ortofon Blue

CA AXR100

Denon 600NE

KEF LS50

B&W 8” 300 watt Sub (sealed)

I mostly listen to orchestral, Steely Dan, Miles, Brubeck, Krall, Botti – you get the idea. I also am season holder for LA Phil and Hollywood Bowl so I know what “real” music sounds like.

My little system may not be to everyone’s taste but I find it fills my little space well.

Here is the quandary:

Like most, I am always thinking about the next “upgrade” for improved fidelity. Don’t need loud or to fill big space. However, I just purchased a half-speed (45 RPM) Brubeck and was absolutely astonished at the dynamic range and sound quality. I believe that what it is telling me is that with the right input the hardware I have is maximized.

Obviously, a $7K amp and equally expensive supporting components would be even better. But how much better? Is the investment in better source material a better use of funds? After all, that will always be available if the hardware is improved. You can buy a lot of $60-150 vinyl records (or CDs made from masters) for the 15 to $20K hardware cost.

sbsail9

Showing 2 responses by akgwhiz

I own that TT and it'll turn out some pretty sweet sound... but... the Ortofon Blue is the bottom rung cart.  I upgraded to the Red and the difference took about 2 measures to be obvious.  I recall it was about $90-120.  So really, with such low hanging fruit, IMHO, regardless of source etc, it's a must-do.  Enjoy your system!

OP,  you are correct that Blue is above red.  But glad we both enjoyed a nice boost at a bargain.  I'd think a still better cart and/or phono amp would also move the needle.  I use a Vincent PHO300 and think it's quite good albeit ill admit, with no real comparisons.  The reason I stopped there was my frustration with securing good vinyl.  Between modern pressings of older titles, the vagaries of the used vinyl market and the general cost/title and the numerous disappointments (SQ and material), I made the switch to streaming.  Bottom line to me was less $ per satisfactory title  since I can stream for $11/mo.  Enything.  Dabble in an artist.  Discover. No dust, cleaning, static etc.  Just my journey and not a recommendation.    Cost of way less than one vinyl per month earns back my initial outlay IMO.  Also, no mention of room acoustic work.   Being square and using a sub likely means some stout LF peaks to be be tamed.