Good question, lots of answers.


I've owned a pair of Legacy Classics for over 5 years now and have no intention of 'upgrading'. Granted, they are large (110#) but they are full range and ruthlessly accurate (no more than down .2db @ 22) but rewarding as ever when good source materail is used. Sometimes they even 'dissappear', which is a hard act to do. Once you've listened to a good, full-range system, its hard to go back to anything that doesn't convey the full intent of what the artist originally intended. I hope that doesn't sound elitest, just truthful. They now cost about $700 more than what I paid but you may be able to find someone who can audition them for you. I was lucky enough to do just that before I bought mine: the guy had a CD of Nat King Cole that was accidentally remastered without the trademark 'echo' used at the time and it seemed that he was actually in the room with me, crooning away. It sent chills down my spine and I was sold right then and there. Granted, some old 20 watt Macs were driving them effortlessly so that helped in creating the illusion but man, o man. What glorious sound. On an aside, the recording engineer (I forget his name) bought a pair of Legacys himself once he heard them and he's been around a long time (Eagles, Steely Dan, etc) and now he remasters. Hope this helps.
128x128nonoise

Showing 3 responses by nonoise

First, Ozzy's question: I'm new at this and started my own thread in reponse to one by Ryllau-Speakers ot hang on to for life-my bad
Second, Sean: Most measurement's that I'm familiar with are taken on axis, off axis, etc. and about 1 metre from the speaker. When 'in room' measurements are taken it all boils down to which room? Is it representative of 'my room'? Your advise for stuffing is a well known, time honored treatment for those 'humps' that you allude to but they are NOT present in all rooms in the same way. You can pay several times the cost ot the Legacys and get just as horrible 'in room' results compare to the published frequency responses that most makers get. Some of your better designers use an anechoic chamber to tune their speakers: no room boundaries as all rooms are different. Also, if memory serves me correctly, don't all speakers exhibt that same 'bass hump' when placed in a room where the dimensions are/can be multiples of each other, or something like that? And if so, aren't those types of rooms to be avoided and/or modified as the standing wavelengths are exacerbated?
Sean: Its all subjective. I always trust my ears. I've heard bad sound that took a lot of salesmenship to convince people that they are hearing what isn't there. I've seen firsthand people conned into high priced sales. I've even listened to people trying to convince me that cables, speakers and the like are to be bought and then changed according to how you want it to sound! These apples aren't even from the same tree I live in. As for 'ruthleslly accurate', I'm just touting the ability of my speakers to seemingly have no coloration or signature of their own. Any changes I make upstream are instantly noticed. A bad recording still sounds bad (pop music recorded to RIAA standards), good recordings sound good, and great recordings sound great. I couldn't ask for more.
Warren: You are correct sir! You should be an arbitrator. As for the rest of the crowd: don't be hatin' man! Not everyone can afford the cost into High End and the Legacys take you to the door. Sure, they're not perfect but the 40+ reviews at audioreview.com can't be ALL wrong. Everyone from Joe Average to musicians and engineers love them; even the critical ones give high marks. As for measured reviews, if one were to rely on those alone, there wouldn't be alot of tube sales, would there? They measure poorly but seduce nontheless. I started this thread by mistake hoping to help out some guy who was deciding on Legacys (full range) and B&Ws (monitor). Just from that it seemed to me that he wanted a full range speaker but the price of the B&W was just too dear (surprise-the same thing happened to me). I, too, have heard of inaccuracies in Legacys and seen people grudgingly damn them with faint praise at audio shows saying something else was wrong once they heard them but they couldn't say just what it was. Maybe not as exclusive as others. Who knows? The B&W didn't get great reviews in The Sensible Sound and Peter at The Audio Critic wasn't impressed either. Somewhere in between the glossy rags of Stereophile and Absolute Sound at one end and The Audio Critic at the other, lies this sensible solution: trust your ears. As for me, I have to get some sleep and decide if I want to get that darling TAD-cayin TA-30 or the TAD-150 and keep my SS amp. If anyone has some good ruminations on the subject, fire away!