Goldmund Studio



Hi Folks:

Would appreciate any description about how the sound of the Studio companes to tt's made today. If anyone can describe what the sonic differences would be with the same cartridge, that would also be very helpful.

Thanks as always.

D.H.
danhirsh
anyone knows an address where I can order a spare JVC motor ?( BTW NOT at Goldmund as the TT unit is not a Goldmund or JVC )

Hi All,

I recently picked up a Goldmund Studio table with an SME V arm and a Kiseki Purple Heart cartridge. Two questions for anyone that might want to respond. 

Firstly, I’m interested in doing the spring-to-sorbothane upgrade, but I can’t seem to find any specific info on what type / size sorbothane pucks to use. Ditto for stiffness, as I read above that the sorbothane should consist of 3 different levels of stiffness, just like the OEM springs. 
 

Secondly, wondering if anyone out there has a (late model) Studio polymer sub-chassis kicking around? Long story, but due to a miscommunication by the Seller on what he did to prepare the table for transport, I ended up with a cracked sub-chassis 😑

I’m also looking for a Goldmund Relief Mat. 

Appreciate any thoughts or suggestions. 👍🏻
  

I never owned one but a friend had one with a Rabco SL8E tonearm. It was my unscientific impression that the suspension was under damped. To say nothing of the Lurne’ TT which bounced like a champ if activated. I think more modern designs are superior but this is not to say that you can’t be happy with a Studio.

I bet a high quality motor controller would do as much for it as does sorbothane.

Hey Lewm,

Thanks for the suggestion. I’ll definitely consider that if I get the table back up and running 👍🏻