A variation on this scheme would be to try removal of the cover & using copper screen as an alternative cover/shield to attenuate incoming RFI (& fingers etc.). This reduces the deleterious effects of signal proxomity to ferrous steel (assuming the cover is steel?) while retaining RFI shielding properties. Or how about making an aluminum cover instead? It would provide less shielding than copper or steel, but would be more easily workable and functional
Going Topless
When changing tubes on my ARC preamps, I noticed a substantial lift in performance when the top covers were left off the units. An increase in "Air", 3D and just plain "relaxed ease" was appearent when the covers were off.
Now my particular units have Litz signal wire running from input selector and PC board to the RCA I/O jacks in the back. These bundles of wire come close to the top chassis cover, without actually touching it.
Are we dealing with "Eddy Currents" here? I have come to the conclusion that all (music)signal carrying wires, must be isolated from close proximity to metal. I have heard the same effect on ICs and Speaker wire. All of these wires appear to be well shielded and use a stiff dielectric. There must be stray Magnetic Eddy Currents at work here.
Anyone else go through this? Better yet; Can anyone explain this?
The moral, Metal and wire don,t mix...........Frank
Now my particular units have Litz signal wire running from input selector and PC board to the RCA I/O jacks in the back. These bundles of wire come close to the top chassis cover, without actually touching it.
Are we dealing with "Eddy Currents" here? I have come to the conclusion that all (music)signal carrying wires, must be isolated from close proximity to metal. I have heard the same effect on ICs and Speaker wire. All of these wires appear to be well shielded and use a stiff dielectric. There must be stray Magnetic Eddy Currents at work here.
Anyone else go through this? Better yet; Can anyone explain this?
The moral, Metal and wire don,t mix...........Frank