dear mr. peterayer,
i am going by one person who put his XA-0.5 100W mono blocks up for sale. a lot of people questioned his decision in the forums, so
he explained at length regarding his changing preference for
a different design. apparently he felt the bass was lacking something in his system even though i don't think it was a lack of power.
just for an example i have levinson amps which don't inspire much emotion-
that has to come from within. but they do reproduce bass about as well as it can be done. i would think a pass X-.5 amplifier properly matched to your speakers would do the same thing. and bass can have a dramatic effect over the sense of depth / 3-dimensionality of the stage. OTOH they might fall a bit short on reproducing textural details of acoustic instruments or sound a bit flat on a Diane Krall album.
i have only heard pass aleph amplifiers - the 30 and the 1.2 mono blocks.
they were beyond reproach to my ears, especially on piano and jazz.
but i never tried them out on Bach organ pieces where i might have been
less enthusiastic. but i am easy to please when it comes to this level of audio gear,
so i could go either way without a 2nd thought and learn to be happy.
i am going by one person who put his XA-0.5 100W mono blocks up for sale. a lot of people questioned his decision in the forums, so
he explained at length regarding his changing preference for
a different design. apparently he felt the bass was lacking something in his system even though i don't think it was a lack of power.
just for an example i have levinson amps which don't inspire much emotion-
that has to come from within. but they do reproduce bass about as well as it can be done. i would think a pass X-.5 amplifier properly matched to your speakers would do the same thing. and bass can have a dramatic effect over the sense of depth / 3-dimensionality of the stage. OTOH they might fall a bit short on reproducing textural details of acoustic instruments or sound a bit flat on a Diane Krall album.
i have only heard pass aleph amplifiers - the 30 and the 1.2 mono blocks.
they were beyond reproach to my ears, especially on piano and jazz.
but i never tried them out on Bach organ pieces where i might have been
less enthusiastic. but i am easy to please when it comes to this level of audio gear,
so i could go either way without a 2nd thought and learn to be happy.