GMA Callisto VS. Merlin TSM


As the title says, only if you have had listened both!
What are ups and downs? And the winner for you is?
minbean
Perhaps Minbean can give us some details regarding the specs of the amp he is using? Tube/SS, power, feedback, etc...
Hi, sorry for a delayed response.

The system I am driving merlin is described as follows from the front end;

CARTRIDGE : Ortofon SPU AE with tuned original brass stabilizer and spacer mounted on SME 3009 on Thorens TD-124, SME stock cable

PRE-PRE AMP : BB OPA27 base gain amplifier, 18 times voltage gain , 100 ohms and 600pF input loading

CABLE : low capacitance teflon silver cable

PHONO AMP : passive RC RIAA filters between 12AT7 cathode ground resistor load gain and cathode follower buffer amplifiers

LINE AMP : FET-bypolar solid state with cascode differential front end, full symmetric over positive and negative rail

POWER AMP : bypolar differential front end with J-FET base constant current source, MOS-FET (2SJ50/2SK135)rear end, full symmetric, full thermal conjuction of positive and negative rail active devices, 136000MF and 600W class transformer in the power supplier

SPEAKER CABLE : 12GA silver plated copper strands in teflon insulation single pole wire used in random spacing between the wires

ROOM : 166" X 94" X 280", medium level damping with carpet and furnitures

OTHER : zobel network, jumper cable and speaker positioning instruction from Merlin was carefully applied - worked really well!

REMARKS : It is extremely transparent/sensitive and very picky for recording. I am going to try different phono stages and cables to make it more forgiving for some situations I have to play lower-fi recordings.



Only the tube phono amp has no feedback. I use TEAC MTZ-3 alignment mirror disc for the turn table alignment. The power amplifier is 75 watt RMS per channel at less 1% distortion at 4 ohm resistive load and it has internal zobel networks.