Gallium Nitride GaN Class D Amplifiers


In my recent research for a possible upgrade to my current amp (Benchmark (AHB2) I was reading about the new higher end design for Class D. I'm very interested in learning more about these new GaN(Gallium Nitride) designs. Three companies are offering some very well reviewed products and they are not going crazy with Watts per channel:

Orchard Audio offers a 250 watt Amp

AGD a 100 watt

Atmos-Phere also a 100 watt

What's interesting  is while Orchard is a new company AGD and Atmos-Phere have been around a while producing high end Tube amps. In almost every review it is noted how these newer designs sound like Class A or Tubes with all the benefits of Solid State. One reviewer couldn't go back to his tube amps after extended listening to the Orchard. No wonder AGD and Atmos-Phere are getting into this technology. It's very exciting as these amps are highly efficient turning over 90% of the power they draw into sound compared to about 78% with A/B designs and I believe even significantly lower for Class A. They run cool and usually weigh between 10-28lbs. I plan to do more investigation. Small size and light weight with decent power is very attractive. There are also mono block offerings for more power if needed. These are not cheap Class D products. They are well designed and constructed.

Orchard Audio's base model is around $2700and their Dual mono version with larger power supplies is $5500.

Both AGD and Atoms-Phere are $5000

Mono blocks for each are about twice the cost.

Has anyone had any experience, demos, etc ., with these types of GaN Class D amps?

 

jfrmusic

Showing 5 responses by bolong

I have had Audion MK 3’s for a few weeks now. It is the most educating experience I have ever had with a component. The difference that different cabling makes is much more apparent than it used to be. Moving around different brand cables within the component mix results in some quite unexpected advantageous relationships which were not so clearly audible in previous set ups. These modifications extend throughout the component mix.

The amps also very quickly educate you about what treatment the listening space requires. "Room nodes" are now distinctly audible to me across the spectrum. Bass nodes in particular are now more obvious as to where they are in the room and where treatment should focus.

With these amps volume can be turned up higher without bleeding the music or wearing the listener out. I feel that I have been learning more things about musical reproduction in general.

On my GanFET Audions the bass was so impactful that I had to disconnect one of the two hot wires to the REL S812's. This was advised by REL if your system has so much bass that is cannot play louder than position 5 on the REL volume knob without creating excess bass.

Another thing I had change with the Audions - the 10 gauge "western electric" speaker wires I had been using with the previous set up had to be changed over to 16 gauge. With the 10 gauge wires the sound was way too overbearing and difficult to get right. Sounded like a run-away horse.

My Audions are fronted by a Primaluna EVO 400 pre which has been in my stack for 2 years. This sounds good, but in a few weeks supposedly I will be receiving a Holo Audio Serene KTE pre. My DAC is a Holo May KTE, and the Serene is supposed to compliment the May quite well. However, I am a little apprehensive. New Record Day’s Youtube review of the Serene said something to the effect that the Serene took the totally clear window of the May and smashed that window out of the way which is what the Audion already feels like it is doing. Clear I like - "clear light" as in the famous old time LSD could be harmful to your health. LOL

Fronting the Audions with a Primaluna EVO 400 pre-amp is the best of both worlds. .