Footers under new speakers


Hi , I’m seeking advice regarding footers and/or platforms under my speakers. I purchased Tekton Double Impact’s and have heavy shag carpet and padding over a cement slab floor. House is 35 years old, cement is thick and well cured. I’m from that old mindset of spikes into cement and I am looking for an improvement. I’ve looked online at Gaia footers and Herbie's Studded Giant Gliders. I emailed Herbie’s and specifically inquired about the studded gliders alone on the DI’s over carpet. I asked about stability and was told the speakers were “ heavy enough “. Unfortunately I just set up the DI’s temporarily to get a little break in time. They are without any footers upright on my carpet. At 115 lbs the speaker does about zero to compress the carpet. I understand weight Vs footprint is abysmal but they won’t even stand straight. I’ll probably put the spikes on for a bit until I formulate a plan. But my first concern is that Herbie’s gliders alone are not enough and due to the minimum cost of the speakers I am struggling with purchasing Gaia’s footers and footer spikes. The seismic stands look exceptional, but I’m trying to be frugal. So I’m looking for suggestions like, gliders or dots with or without spikes on wood / stone plinths spiked to the floor. My goal is to try some sort decoupling (Gliders / Springs / Dots) AND eliminate the need of having to rely on the carpet being compressed. And yes I have cheap speakers and seek a cheap solution, so I get that limitation. Unfortunately I can’t afford Tannoy’s or Fynes to compliment my 180 watt tube mono blocs for at least a year. Cheers , Mike B. 

buellrider97

I know there is a fundamental debate between using traditional spikes and advanced isolation platforms like Townshend Podiums. While spikes have long been a common solution, aiming to "couple" the speaker rigidly to the floor, the podiums offer a fundamentally different and I think superior, approach – decoupling.

Why is it superior?

Consider that traditional spikes concentrate the speaker's weight onto small points so that vibrations are drained into the floor, which then acts as an inert mass. 

But this coupling is a double-edged sword. It not only transmits speaker vibrations into the floor, potentially exciting it and leading to boomy or muddied bass, but also allows external vibrations from the floor (like footfalls or traffic) to travel back *into* the speaker cabinet. This bidirectional transmission can introduce unwanted resonances, coloration, and a general degradation of sound quality. 

Podiums, in contrast decouple the speaker from its environment. They achieve this through a spring-loaded, air-damped system (called "Seismic Load Cells" by Townshend). This acts as a mechanical low-pass filter, effectively isolating the speaker from vibrations down to very low frequencies (below 3Hz). This isolation works BOTH ways: preventing speaker-generated vibrations from affecting the floor and preventing floor-borne vibrations from affecting the speaker.

The other thing I've liked about the podiums is their ability to adjust for height and leveling and the way they can accommodate various speaker sizes and weights, with or without their original spikes. 

My two cents.

Tekon sells footers for $20.00. Remember every dollar saved can go to new vinyl. 

In my experience, with modding my VPI Jr. up to Mk.IV status and beyond, decoupling is the way to go.

I bought a Townshend Rock 7, later that confirmed the benefit of springs. Then developed my wall decoupling shelves, integrating Townshend Pods

I'm using the oem spikes which sit on isolation discs.  Basically, two machined discs with carbon ball bearings between them.  My floor is carpet on concrete. I would guess that the discs prevent a lot of bass from going into the floor.