Focal Sopra No 2 vs Magico A3


I wish I could listen to the Focal Sopra No 2s and the Magico A3's in the same room on the same day with the same equipment.

In the fantasy world I like to live in Focal lowers the price on their Sopra No. 2's to better compete with the Magico A3's. Wow. Wouldn't that be great! Not sure what I would do then. Probably buy the Sopra No. 2's.

I purchase speakers on what they sound like NOT what they look like. Who would buy speakers based on how good they look?

londontk

Showing 5 responses by sciencecop

Been done already:
https://www.soundstageglobal.com/index.php/product-debuts/magico-a3-december-2017/739-magico-a3-loud...

I like Focal industrial design, but it come with a heavy penalty of gross coloration from the lousy MDF cabinet. They should let Magico build their cabinets ;)
Coloration is always a bad thing, unless you are building guitars.
There is no "magic" in MDF flexing.

All speakers should be made with stiff cabinets that are well damped. If hearing music, the way it was recorded, is boring to you that is for a another thread altogether...
Not a good idea. I just watched his latest video, I had to check the date; this guy has not left his basement in 40 years.
He still thinks that a plastic woofer cones are hot. And he likes to assess his work listening to music backward, I kid you not… I have to say, it was disturbing.
BTW, it does not matter how much his enclosures sings, his drivers and XO parts, which are below Radio Shack quality and, are so outdated, they are not passing half of the information to begin with, so yes, you may need to get some help from the carpenter ;)

So you are saying that because the recording process is “colored” to begin with, you are OK with adding more, and this time gross (like MDF vibration), coloration on top?

Unlike my “rubbish argument” yours is brilliant...

BTW, the job of a good mastering engineer is not to "make the music sound better", but rather to preserve, as much as possible, the original intent of the performance. A process that involved the artists. That is the where the "connection" is made (or not). The job of a loudspeaker is to convey that intent as truthfully as possible.