So pleased you are happy. That is what this hobby is all about.
Cheers!
Cheers!
Finally found THE SPEAKER!!!
Drewde, your subs have to be configured as a linear array or they will not project power like your line source speakers. You can position individual subwoofers against the front wall on the floor under the screen at intervals of 4 feet or so. The higher you cross over the closer the subs have to be. 4 feet is perfectly adequate for crosses up to 100 Hz. The subwoofers will be function acoustically as one big driver all the way down to 1 Hz and project power like a line source. You can do the same thing with two towers but they have to be as high as your ceiling, and they take up vertical space possibly interfering with the screen. I do not like screens in front of speakers. If you look at my system page you will get the idea. If you want to lean more about subwoofers feel free to message me. I have been using line source speakers since 1980. As far as processors go I would go with the Trinnov over StormAudio. I think their Room control is better. I am strictly two channel so I would go with the Amethyst but they have theater processors up to 32 channels. It is interesting that both companies are French. How you use the room control is different for theater than 2 channel. Some people never actually sit in a specific spot to listen, music is for the background only. If you do sit in the listening position and listen seriously you can usually store a profile for strict two channel use and switch back and forth. |
Drew In case you missed it (which I doubt) here is an old discussion of passive vs active speakers. https://forum.audiogon.com/discussions/any-thoughts-on-passive-v-active-speakers It seems to me the Wisdom system is a hybrid system that addresses many of the stated concerns about flexibility in upgrading. My two cents; you have done extensive listening and research, have a very discerning ear and unusual expertise. You were so blown away by this system that you started this thread. I once played in an orchestra backing up the great Raphael Mendez. After an excellent rehearsal he said "Perfect! Don't play it any better than that tonight." Buy the system that blew you away. Don't make it better. Thank you for your ideas in tweaking my system. I have tried them and definitely feel you have started me down the right road. The rest will be trial and error. My subwoofer is set at 80hz per Mike Kelly's recommendation. (When you call Aerial for advice, Mike answers.) That should supersede any automatic Audessey settings. Given my issues and my 3.1 setup, do you recommend using Dolby or some other proprietary setting? Thanks for a very thought provoking thread. Dan |
@dukeofdoowop I have not read the thread you have shared, but I will head that way after this post. I am fairly familiar with the pros and cons of active vs passive speakers and the pros and cons. I would agree that Audessey can pretty easily over do things trying to make it better and in turn make things worse. When we calibrate our dub stages we don't use any auto calibration and do each speaker one at a time. It takes a bit, but the results can't be beat. Well when mixing in an "immersive" format Dolby Atmos is the format of choice. Everything else gets scaled down from that format. That is including DTS. In Hollywood I am not aware of anyone who mixes in the DTS format... I could be wrong, but I have never heard of it being done. Dolby has been such a leader in the professional audio community that it is still the benchmark. A Dolby engineer is present during the print master part of the process. They are are literally there with us on the dub stage monitoring the process to make sure all is as it should be. That being said what you listen to in your own home is up to you. If you find the DTS format works better in your home and you like that better, by all means go for it! The difference between the DTS and Atmos in a home situation is much more limited in that we are usually not talking about the same number of speakers as are used in a large venue theater / professional dub stage. You can usually put your receiver on Auto and it will pick the correct format to be used based on the input signal it receives. When we go to a premiere (in the old days before Covid) and have the ability to pick what format we will present.... I always pick Dolby Atmos if that helps. Best, Drew |
@drewde You asked about suggested amps. VTV or Apollon are two manufacturers who can customize exactly what configurations you want and at economical prices - particularly given the number of channels you’re going to require! I must also correct my earlier post about the history of Wisdom. I had my two originators reversed. Contrary to (my) rumors of his death, Mr Bohlender is very much alive. It was Mr Graebener’s death that resulted in the dissolution/sale of BG Radia. My apologies to Mr Bohlender. My sympathies with friends/family of Mr Graebener. |