This is great stuff guys.
Along the lines of what Doug intimated, it's not so much your overall choice of tubes vs. solid state, but what you do with it. I have every confidence that between the Essential, the Alap, and (if I may be so bold) the Artemis Labs phono stage, that the big boys will soon be sweating bullets.
The small guys have one very big advantage - it's spelled P-A-S-S-I-O-N. I've held firm to the opinion that the personality and sensibilities of the designer bleed through into their design to the point where the two are inseparable.
Many of you may remember Harry Pearson's pontification about gear with dark colored faceplates tending toward a dark or warm presentation (emphasis on the upper bass through lower midrange). At first blush, this is a completely screwball statement.
Taken in the context that a product is an expression of the tastes, sensibilities, and of course competency of the designer, then his choice of color is quite possibly correlated to his these sensibilities and communicated in the sonic palate they select.
I've been asked publicly on this list on more than one occasion about those phono stages I feel to be unworthy of my highest consideration. Its not my place to trash other manufacturers and I won't answer that question.
I feel much more comfortable about the flip side of this however (the great stuff), and I have every confidence that Raul's Essential is in the top tier of gear. Heck !! Two of my customers state it in this thread, and we know that they obviously have great taste (grin).
Congratulations on your whirlwind tour, Raul! I am very anxious to meet you. Are you guys planning on exhibiting at next year's Rocky Mountain Audiofest? It's not too early to start thinking about it. If you have any questions about it, let me know privately, off-list
Cheers,
Thom @ Galibier
Along the lines of what Doug intimated, it's not so much your overall choice of tubes vs. solid state, but what you do with it. I have every confidence that between the Essential, the Alap, and (if I may be so bold) the Artemis Labs phono stage, that the big boys will soon be sweating bullets.
The small guys have one very big advantage - it's spelled P-A-S-S-I-O-N. I've held firm to the opinion that the personality and sensibilities of the designer bleed through into their design to the point where the two are inseparable.
Many of you may remember Harry Pearson's pontification about gear with dark colored faceplates tending toward a dark or warm presentation (emphasis on the upper bass through lower midrange). At first blush, this is a completely screwball statement.
Taken in the context that a product is an expression of the tastes, sensibilities, and of course competency of the designer, then his choice of color is quite possibly correlated to his these sensibilities and communicated in the sonic palate they select.
I've been asked publicly on this list on more than one occasion about those phono stages I feel to be unworthy of my highest consideration. Its not my place to trash other manufacturers and I won't answer that question.
I feel much more comfortable about the flip side of this however (the great stuff), and I have every confidence that Raul's Essential is in the top tier of gear. Heck !! Two of my customers state it in this thread, and we know that they obviously have great taste (grin).
Congratulations on your whirlwind tour, Raul! I am very anxious to meet you. Are you guys planning on exhibiting at next year's Rocky Mountain Audiofest? It's not too early to start thinking about it. If you have any questions about it, let me know privately, off-list
Cheers,
Thom @ Galibier