@sbank I have discussed these various user experience factors with my friend and he has an equal appetite for either way of listening to music. What he would like to know is whether he should spend his money on digital or analog in the four to $6000 range. The rest of it will follow and he is open to it and he is going into it with his eyes wide open. Thank you for the your nice comment about the thread.
Equal $$ for Phono OR Streaming?
Consider the following situation. A friend who's watched me put together my system has decided to follow suit. He's inherited some very good speakers and amplification (no DAC) from a relative and has about wants to finish out the main elements of the system with the best possible source. He has about $4-6k to spend and wishes to spend it on either a phono stage/TT combo OR a DAC/streamer combo. (For content, he is willing to spend either on vinyl or streaming services to fulfill whichever path he chooses above.)
Focusing simply on the potential for sonic quality (rather than, say, the variety of music one can stream), where do you think his money would best be spent and why? Could he reach the same outcomes after spending on a TT, cartridge, phono stage, record cleaner, isolation table and all the other accoutrements necessary for a good phono set up as he could if he bought a good DAC, streamer, etc.?
If your tastes weigh so heavily toward analog or digital that you can simply decide this without considering the details of the comparison, please try to set those aside and answer based on what he might be able to get for $4-6k.
Focusing simply on the potential for sonic quality (rather than, say, the variety of music one can stream), where do you think his money would best be spent and why? Could he reach the same outcomes after spending on a TT, cartridge, phono stage, record cleaner, isolation table and all the other accoutrements necessary for a good phono set up as he could if he bought a good DAC, streamer, etc.?
If your tastes weigh so heavily toward analog or digital that you can simply decide this without considering the details of the comparison, please try to set those aside and answer based on what he might be able to get for $4-6k.
Showing 18 responses by hilde45
My friend inclines towards pop, rock, classical, and jazz. I’m hoping to keep some factors outside the core question -- excluding cost, availability of content, fussiness or convenience, etc. He has funds for those things and has time. He considers this a hobby and does not demand it necessarily be as easy as possible. So, this is a question about what-it-would-take to reach a roughly equivalent sonic outcome using the competing hardware. Sorry I didn't make that clear. |
@lalitk Thanks. Thanks! This question got going in part by the discussion around 33:10, here: https://parttimeaudiophile.com/2021/02/09/how-do-you-budget-for-your-hifi-the-occasional-podcast-ans... |
@millercarbon No change of meaning. I said he "wants to finish out the main elements of the system" and has "$4-6k to spend...on either a phono stage/TT combo OR a DAC/streamer combo." The qualifier "excluding" was meant to convey that the core of the decision for him excludes the other elements -- records, streaming services, etc. I'm glad you grasped that because your suggestion is specific and useful. And "vastly superior" sounds, um, vastly superior. |
Right, I heard him make that comment about the superiority (to him) of analog, and I know there are people on both sides of this question. To avoid the which is better debate, I am trying to delimit it to his price range for the central gear. As I said, he's open to buying records, the rituals, etc. He wants to know what core gear is capable of within the $4-6k limits. |
Lots more good replies. Thank you. Many here want to help him with the decision, overall, but because he's indicated a willingness to go in either direction (knowing full well what that implies) the core question -- about the sonic quality achievable with *either* $4-6k for streaming/dac vs. phono -- really is *the* question. And yes, other "requirements" are helpful to know, but it does not seem like the core question is unanswerable without the bigger picture, and many here seem to agree. |
@feldmen4 Glad you liked the description. Not only do I see this in my kids, I see it competing within me. Warring impulses -- slow vs. quick. I have a Node 2i. Because I'm on the verge on spending on room treatment stuff, I'm a bit shy about upgrading but I've taken note of your experience! @mapman Sonic quality is somewhat subjective but not totally, right? I mean, if you did a poll asking people if they liked articulate bass vs. boomy/fuzzy bass, or blurry, narrow sound stage vs. clear and wide sound stage, etc. we'd see huge majorities voting for the same thing. We share biological and cultural habits (growing up together, interacting, social) so subjectivity is always there but it's typically much less dramatic than supposed. |
Thanks for the input, all. I will pass it along. Amazing diversity of opinion. I will share this whole thread with him so he can learn. Thank you! Analog fans such as @millercarbon say analog "is off the charts" better and @robertbrook says that digital is for people listening at lower volumes or not really paying attention; if you the music gets the attention and volume level characteristic of (his phrase) a "true audiophile," analog is a necessity. Several here list ways to do analog well within the price parameters. Others, including long time vinyl fans, see digital as better, just as good, or nearly as good, especially with the price constraints. E.g., @jrw1971 estimates at least $10-15k for analogy to beat great Dacs. (I also haven’t started the Wire. But I know, I know: probably the best show, really, ever!) Several see digital catching up in the next few years. A bunch of great ideas in the "both category." @jjss49’s amazing setups pose a serious challenge, as they contain excellent gear within the limits described (closer to $6k). He doesn’t weigh in on which is sonically better, but he calls digital "excellent" so that seems to imply that it’s at least close enough. As @feldmen4 (Matt) points out, the limits of the question are hard to abide, as many point out the additional costs to analog are magnitudes greater (for content acquisition, primarily) and I like guy-incognito’s description that a vinyl collection can become a "walled garden." In some ways, I attribute my own ability to listen to music in a focused and deep way to the limits placed on me by by record collection growing up -- hard to get new albums, as a kid (expense, someone had to drive me to a store, I didn’t even know what was available until I got to the store). As a result, I listened over and over to what I had and learned to listen in a way different than many do now, with the ability to skip from tune or artist to artist. That said, if I was growing up today, I don’t think I’d be able to stand being walled in that way. Once you’ve travelled... P.S. A third option is CD’s, which as the Audiophilac points out, can sound quite amazing with a good DAC and transport and CD’s are often very very inexpensive. I suppose CD’s don’t compete, sonically, for most here advocating streaming, but my guess is that a great transport/DAC combo is very easily available for well under $6k. |
@jjss49 streamed music (using proper tidal, qobuz or other suitable lossless service) is absolutely able to deliver music at a superb quality into a well chosen downstream system ... to a point where the emotion-stirring nature of well recorded content will come through to thrill and move the listener I absolutely agree for my own ears and sonic tastes. I’m 56 and I grew up with turntables, and I’ve listened to them through the early 2000s. I’ve heard great ones. The comments by the analog-is-the-only-way people make me very curious to see what I may have overlooked (about what I’m able to discern) but the overall phono-path is too burdensome for me. That said, the system I’ve built over the past year has transfixed me at times; I get completely lost in the music, hear tremendous things, and don’t find myself with a "grass is always greener" bugaboo gnawing at me in my listening position. I heeded advice about getting an R2R DAC and while I’m curious about how "lowly" my Node 2i is, I do recognize the warnings about how quickly streaming technology (in contrast to DACs) is evolving. If there is one thing which shows me I’m not "done" with digital, is the occasional DSD files I’ve heard. In a few years, after I’ve dialed in my room or settled into a new one, a much better streamer (and DAC, possibly) is on the short list, but until the room’s impact is addressed, it’s not my priority. My friend may very well read some of the more economical suggestions here and decide that savings should not be spent on trying to do *both* digital and analog, and should instead go toward the room. |
@jjss49 Thanks for experience with P.S. Audio. For $6k, new, I think my friend would rather get both streamer and DAC without needing addition hardware, software, or other complications. Pass on this product. @jpwarren58 My friend is almost 50 and has a background as a music major who became a neuropsychologist. Why do "you" ask? Does age have a bearing on the sonic quality (perhaps because of hearing loss?) @kennyc Thanks for your answer. |