I use a Thorens TD-1601 with an Ortofon Cadenza Blue running through a Hegel V-10. To me this sounds fantastic. The arm lifts and the unit shuts down after the album side is done. The other feature that is/was important to me is the easily adjustable tonearm height, VTA. I can run any cartridge and keep the appropriate verticle tracking. I had a Rega 8 and it was an excellent TT but I hated shimming it when swapping cartridges. I sold it and purchased the 1601 and never looked back.
End Game Turntable suggestions
Hello all, looking for insights to help me narrow down to some core choices; I am open to new or preowned. My system details can be seen under my profile.
In summary I have significantly expanded my vinyl collection and as of now I am looking to purchase an end game turntable appropriate for my setup. As you can see I use Mola Mola Kaluga Monos, and I really like the Zesto Pre and Phonostages. I find the class D/tube pre combination very pleasing.
I would appreciate suggestions for around $5-8K (table + arm), new or used. I will have separate budget for cartridge. One preferred option (but not must-have) is universal voltage, as I may move the unit to Europe later. My current vintage turntable (Project Perspective) is 22 years old, and while I don't know how to compare to something really amazing, I can say that my setup is lacking detail and bass. The tonearm is terrible to keep aligned. Based on visits to Axpona and Cap Audio Fest and other research, I am thinking of a few in my budget, but will really value your suggestions of other brands:
- Origin Live Sovereign
- VPI Signature
- SAM Sinner
- Thorens TD 1601 (semi automatic)
Visual appeal is important to me (which is why Technics 1200 is not on my list despite great reviews everywhere). I love the idea of set it and forget it DD tables, but unfortunately mostly out of my budget (eg VPI HW-40 going for abt 11K used)....
Sorry for the long post but my hope is this background and help solicit good suggestions. Thanks
Showing 2 responses by re-lar-kvothe
@musicmatters1206 IMHO...there is a tremendous amount of great info here. As far as the 1601 goes I am extremely happy. I agree with all of the wonderful design concepts from the point of what they contribute to the ultimate sound of the vinyl. However, I do not believe mechanical design can make a bad pressing/recording/mix sound significantly better. I believe the most important piece to the puzzle is the cartridge. With that said, would I hang a $10K cartridge from the 1601? Likely not. However, when the stylus on my Ortofon wears out I will certainly look to spending $3-$5K on one to use on it. Many don't think a $4K TT is worthy of a $4K cartridge. In the case of the 1601 I disagree. I believe isolation and proper set up will allow the 1601 to perform extremely well with any $200 to $5K cartridge installed. At least as well as the cartridge allows. |