I would mount the tonearm closest to the One o’clock location, moving in from the current pivot mounting hole. Close enough so that the tonearm spindle is allowed full travel. This will probably put it close to where you mention ?
I like pictures so.
Here is a shot of the underside that shows the three suspension mounts "Red Arrows" that control everything.
https://photos.app.goo.gl/iY4q68yf6tCFEUrt6
Picture shows the position approximately, for the mount of the tonearm on the tonearm board on the opposite side. When the ET 2 is mounted I would then take time to re-balance as necessary by added weight to the plinth in the appropriate areas - experiment - to get the right vertical bounce that is needed with the Linn.
The tonearm asks for a straight tracking line, and this line can be anywhere on the platter.
I like pictures so.
Here is a shot of the underside that shows the three suspension mounts "Red Arrows" that control everything.
https://photos.app.goo.gl/iY4q68yf6tCFEUrt6
Picture shows the position approximately, for the mount of the tonearm on the tonearm board on the opposite side. When the ET 2 is mounted I would then take time to re-balance as necessary by added weight to the plinth in the appropriate areas - experiment - to get the right vertical bounce that is needed with the Linn.
The tonearm asks for a straight tracking line, and this line can be anywhere on the platter.