The issue with dolby when used for live dead recordings is that all Sony D 5's engaged a brick wall multiplex filter when dolby was engaged. This cut off all frequencies above 14,000 hz. It wasn't a problem with dolby but rather a problem with the D5, which was the deck used for 95% of all in field use for Dead recordings.
I too was a Deadhead taper from years back, circa 1982-1995.
I too was a Deadhead taper from years back, circa 1982-1995.