I wish I could afford one Lyra Atlas Lambda cartridge.
Understand. I'm not trying to rub it in or make anyone envious, but it's a reasonable part of the discussion. I got lucky with a windfall, and I have the system to take advantage of them.
Do you spend more on your cartridge or tone arm?
Is there a rule of thumb on the dollar ratio between the cost of your tonearm and amount spent on your cartridge? Assume a $5000+ turntable.
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Synergy of 5 almost impossible to isolate components; Cartridge, Arm, TT, Mechanical / acoustic isolation and finally the phono stage… infinite number of combinations.near anyway… I would in the case of the OP… try to have an exchange with George Cardas… he seems like about as close to source as you might get given your choice of cartridge… Im somewhat out of balance w a $6,700 Koetsu, $10 ish K Triplaner Ultimate, $15 K Brinkmann Bardo, $4K HRS isolation and $15K REF Phono 2SE… retail.. not what i paid…. |
A lot of guys are operating under the principle that vinyl playback is like a math or computer optimization problem - there is some objective, absolute "best" result to be had, and once setup has been mastered, it’s generally to be attained by throwing more expensive hardware at the problem. This is where "weakest link" theories find favor. But past a certain point, I think it starts to be like an ice cream parlor. What combination of base flavor(s) and toppings do you like best? Cone or bowl? Dipped or nah? I’ve liked most combinations, but loved few (huh, maybe it’s more like girls). If someone else doesn’t like your favorite sundae - who cares. If top-level cartidges were converging towards a similar kind of sound, I’d believe it was more the former than the latter. But they don’t, not really.
@tomic601 Yep, this too - synergy is key!!
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