Do you know why


the vast majority of today's records are warped regardless of where they are pressed? This has come to a boiling point with me in the recent months. I've bought numerous records, most of them heavy vinyl as is the trend these days, and the vast, vast majority of them are seriously warped, to the point that I would not play them without my periphery ring. Warped heavy vinyl records have to me now become the norm. I suppose my anger and frustration have been particularly fueled by warped records pressed at RTI or QRP, which are considered and hold themselves to be the best pressing plants in the business.

I recently returned a Norah Jones album pressed at Kassem's QRP as it was horribly warped (in addition to being pressed off center), which I find absolutely unacceptable at a price of almost $40. Then I put on a brand new Black Sabbath album (Heaven & Hell with the late Dio) pressed at RTI and the record has warps and bumps throughout so bad that I can't even stand the thought of subjecting my Delos' suspension to over an hour-long torture test. Julie London superb sound-wise 45 rpm $50 reissue by BoxStar? Warped. Most of my MoFi albums, which are pressed at RTI as well, are also warped to some degree, although easily tamed with the ring, thankfully. So seriously, WTF?!!!!

In contrast, the vast majority of my used records from the '60s, '70s, and '80s, all of them pressed on the thinnest vinyl, are perfectly flat with a rare exception here and there.

I simply do not understand this phenomenon. Do you?
actusreus

Showing 3 responses by rauliruegas

Dear Actusreus: Plain and simple: NO quality control or at leas a wrong one.

But the subjuect is that you, me and every single audiophile that is on analog buying new warped LPs are whom " has the culprit " becauswe we follow buying everything from everywhere at every price they marketed.

IMHO almost all who are manufacturing and marketin those LPs cares only about busine$$$$ as more the better.

If we the customerswant that that " universal ) LP problem be fixed we must show to those manufacturers/marketers that we are noy willing any more to buy warped LPs and if we customers work together I thing we all can everse that situation, how:

STARTNG TODAY STOP TO BUY ANY SINGLE LPs, AND I MEAN IT... STOP BUYING IT AND STOP BUYING FOR THREE MONTHS FROM NOW.

Gentlemans, the busine$$ of thse people exist because we customers because we are the people that pay for the warped or not LPs but is clear for me that for them WE DO NOT EXIST but for our MONEY $$$$$$.

IMHO we have to stop to follow be so complacent with the AHEE, we need that we all be heared by them.

I stopped to buy LPs two months ago when I bought it normally almost every week!!!

Regards and enjoy the music,
R.

and don't forget the off center LP hole that's is even more critical that the warped problem.

R.
Dear Jjrenman: ++++ " we don't know is how much that extra cost would cost the consumer. " +++++

IMHO we are paying more because that non-existent QC. How much we paid for cartridges, protractors, tonearms, TTs, electronics and the like and how much time we invest to fine tune our audio system trying to achieve the best quality performance level from it? only for when the stylus tip hit the LP and ride it through warps/off center holes all our investement falls showing not the real quality performance of the audio msystem neither what is in the recording and all those because the LP imperfections.
This works as computers: " if you give BS at the input you will have BS at the output ".

Why we take care on the cartridge/tonearm set up that is almost useless against those LP warps/off center holes because the whole cartridge/tonearm set up: overhang, VTA/SRA, VTF and the like changes by those LP imperfections.

++++ " Ultimately, if the labels are selling out quickly they will not feel any pressure to improve the situation. " +++++

that's the subject and almost no one is doing nothing to change that trend.

I think that one of the main responsabilities of the analog reviewers ( music/audio products. ) is to ask to demand the LP manufacturers/marketing sector to take serious actions to fix once and for ever those " criminal and critcal " LP problems.
I think that those reviewers and the audio magazynes after asked to those sources of the LP problems to take actions to fix it must stop to permit any kind of advertasing in the magazyne and LP music reviews.

We customers must stop to buy LPs to help the problems be fixed.

I think that we have to stop paying money for that kind of mediocrity till they fix the problems.

I think that each one of us must be a promoter to stop buying LPs till the industry fix those critical problems and if the audio magazynes does not take its responsability about then stop to buy magazynes too.

All the audio industry lives because our money and we have the right to ask and take actions to improve the audio products we invest for and the audio industry must take care about.

Regards and enjoy the music,
R.