@phusis wrote: "The large format Constant Directivity EV HP9040 diffraction horn (as the model number implies) has a 90 and 40 degree horizontal and vertical coverage (down to about 500Hz, it seems), and the dispersion pattern of the JBL 2405 Alnico tweeter sits at 90 and 30 degrees horizontally and vertically - in both cases according to the specs linked."
Sweet!
I really like your radiation pattern choice, it’s wide enough and consistent enough to give very good coverage of the listening area, but not so wide that you have an excess of early-onset reflections. And you will have a good directivity match between your woofers and the horn in the crossover region. Those big woofers in their bigfaced box will have useful pattern control probably down to the Schroeder frequency just from their sheer size.
@phusis: "So these measures being corrective are a compensation for what the main speakers are typically able to, or rather incapable of doing in and by themselves."
Yes!
@phusis: "In principle however it ultimately follows - or so it could be deduced - that the power response of that produced by the main speakers alone DOES matter as a primary factor - insofar it can be uniformly achieved in a given listening space?"
Yes. There are definitely limits on how much correction one can do to the in-room power response via secondary rear-firing drivers.
@phusis: "From your chair: is it even possible for main speakers as standalone units to get the NET in-room power response right (front firing, di- or bipole or otherwise), or is this a matter that can be at least partially alleviated with the design approach (i.e.: from the likes of horns) and through sheer physics/size as I implied earlier?"
Absolutely! There definitely are other approaches than the one I use which “get the NET in-room power response right”, and imo YOUR approach (big horns and big woofers) is one of them!
Imo there can also be a spatial quality benefit arising from the contribution of rear-firing drivers, even if "correction" of the reflection field’s spectral balance isn’t really needed.
@phusis: "Why isn’t this a more widely addressed field of concern from other/more speaker manufacturers?"
Manufacturers tend to embrace paradigms which they have found to work well, and presumably for most of them rear-firing drivers don’t offer something they place a high priority on.
For instance, most manufacturers make cone-n-dome speakers that have wide radiation patterns, so they are already getting a lot of reflection energy out into the room. They may not see much potential benefit to adding more reflection energy even if it is corrective. (The idea that rear-firing energy CAN be corrective may not be very widespread.)
And some manufacturers deliberately have rather narrow radiation patterns, which results in a high direct-to-reverberant sound ratio. For these manufacturers, reducing the direct-to-reverberant ratio via the addition of rear-firing drivers probably seems counter-productive.
Then there’s the question of cost/benefit: Even if there is some benefit from adding rear-firing drivers, could the same amount of money spent elsewhere make a bigger improvement? And, perhaps the most practical question: Will having rear-firing drivers make a worthwhile difference in sales?
My own paradigm goes something like this: “A speaker should get two things right: The direct sound, and the reflections”. Getting the reflections “right” is the hard part, and imo it’s worth a fair amount of effort, but clearly I’m in the minority.
@phusis: "What I meant by "actively" (i.e.: not how the speakers are configured crossover-wise) was to point to the corrective measures being done additionally with extra speakers to aid the reflective field as an actual, actively addressed area by its designer.
Got it, thanks.
Are your speakers "active", crossover-wise?
Duke