Direct Cut Metal Mastering vinyl - the best I've heard


Not sure if Parlophone puts this much effort into all their albums, but this one rates as one of my best pieces of vinyl to date...

Ian Anderson Plays the Orchestral JETHRO TULL (0190296688270)

  • with the Frankfurt Neue Pholharmonie Orchestra
  • Conductor John Ohara

The pressing is dead quiet, and the instruments are crystal clear,

  • I’m not completely satisfied with the sound engineering, because instruments you expext to play a more front and center kind of role are presented more to the back of the resording and it lacks bass

None the less, Ian Anderson is his superb self and accompanied by other musicians of a similar calibre make this album a very enjoyable listen.

If you like "TULL" its well worth adding to your collection

So my question - is this a one off or is Parlophone vinyl just that good?

Cheers - Steve

williewonka

Showing 1 response by williewonka

@rauliruegas - thanks for the feednback. I took a look at stockfish and they seem to take great care in their master production processes, which should provide a great pressing.

I’ll keep my eyes open for them - we have a very good vinyl store close by, with a very good selection of labels

I do have a couple of Teldec recordings myself and I agree, they are well produced and pressed

Jeton is another label that excels in producing a very well recorded/engineered pressing.

But one thing I find strange, is when a company like Tacet, puts an amazing amount of effort into the recording/mixing of the music and selecting the best location for a recording, but then fails to produce a good vinyl master...

  • their attention to detail in the mastering of the recording is second to none, by using the best microphones, analog reel-to-reel recorders and pre-amplification
  • While the pressing quality is very good from a surface noise and lack of warp perspective, they fail to deliver as follows...
    • it seems that they try to get too much music onto each side of the album,
    • the grooves are too close together and as such in the quieter parts of a track, you can actually hear the music "bleeding through" from the adjacent groove..
    • unfortunately, this becomes very annoying once you experience it. because you know its coming so you listen for it
    • and because theri surface noise is so low, the amount of  bleed through seems to be accentuated
  • I can only summize that their primary playback medium is the CD - very sad

The best regular, i.e. "normal weight" pressings, I have are from Deutsche Grammophon, who seems to be very consistent at producing a well engineered/mixed quality pressing without the need for going to the expense of thicker vinyl - why can’t other labels do this?

Regards - Steve