Devore or Audio Note or other sensitive speakers: wanting to listen in Denver


I'm on the hunt for a sensitive speakers to play really nicely with my Quicksilver Mono 60 amps. I've heard some nice Spatial X3's here in Denver thanks to a local audiophile. I was especially taken by their AMT tweeters.

If you're in the Denver area and have Devore, Audio Note, Zu, Tekton, or any other speaker which has really worked well for your tube amps, please DM me. I would be deeply grateful for even  an hour of listening time. Thank you!

128x128hilde45

Showing 10 responses by jjss49

@hilde45

new york city!!!

see jd in person and hear an’s (and devores) at herb’s house

stop at grand central for chowder and oysters and p lugers for meatfest!!

😁

No offense intended but I'm not so sure Audio Note or Devore get cross shopped very often with Klipsch, JBL, Zu or Tekton.

+1 

@ghasley as usual, hits nail on head

Is the thought that AN and Devore are "in a different class" -- presumably higher?

in general, yes

higher price (to all 😄) and quality of sound (to most)

atc’s have their strengths but are a totally, and i mean totally, different kettle of fish to what the op is asking for re devore or audio note (and low powered sweetie pie ss se tube amps that could drive them)

agree that buying from smaller, newer, less established speaker makers can offer great performance and value, if also a downside if one wants to resell later

other downside is that small shops started by a single person or a small group can decide to go out of business without warning, or discontinue their products in a change of direction for the company

one needs to also assess how one gets service or parts (e,g. blown tweeter after amp hookup mishap, for instance) - many smaller makers use commercially available drivers etc etc, so that can help in some case

for me, with such companies, i will generally try new ones at full price only on a risk free trial basis (or close to it)... whereas there is never such worry if getting a pair of well kept second hand harbeths, maggies, spendors, proacs, vandy's, klipsches there are always ready and willing buyers

also, the risks may be at a tolerable level if dealing with a pair of $1200 standmounts... lil riskier if one goes for $12 grand pair of 100 lb floorstanders

it is definitely a benefit to have the customer be in a local vicinity of the speaker maker... ability to demo, return, fix, help set up in customer home (if the maker is inclined) - so sometimes the risks of dealing with a small maker are mitigated by proximity

other thing to understand is for a smaller, up and coming maker, in this time of internet boards and forums, what is the nature of the customer following and ’buzz’ around a brand, if it considered ’hot stuff’ in the present period (take denafrips and dacs or spatials in ob speakers), trading in and out can be fairly easy with minimal financial penalty

yes @hilde45

those who have tried and scrutinized focal towers learn before long that their published nominal impedance rating was definitely written by the marketing department and is largely b-s

@hilde45

sometimes friends come over say, man how much $ do you have invested in your hifi equipment? my answer is always, yes, some, i am definitely into this... but it pales in comparison to the house and room built around it, to have the gear sound really good 

i say this in relation to the sub-topic of getting such amazing performance out of horn speakers... as vilip says in the video... well altec voice of the theaters are actually modestly priced, only 2 grand for a decent set... ahhh but the room you need to enjoy them in... hmmmmm, 50-100x that???