DAC + Preamp + Room Correction, NAD C658 / MiniDSP SHD / ?


I'm wondering if there are any alternatives to either the NAD C658 or MiniDSP SHD that cover the same functionality?Both are streamers, DACs, preamplifiers, and have Dirac Room Correction.The streaming is less important, but a nice feature.

Any informed votes for one over the other, or other recommendations?
Thanks.
sarsicism

Showing 2 responses by mike_in_nc

Oddly enough, few if any of the alternatives have a streaming (Ethernet) input. Maybe the Classe Delta Pre at a cool $10k and as yet unavailable.

Of the two you listed, I chose the SHD. As it’s in our TV system, I can’t comment on absolute sound quality, but it sounds very good feeding our Audioengine A5+ powered speakers, whether streaming high-res files or decoding the TV’s output. It has worked reliably, and I’ve found the Dirac RC and miniDSP software quite easy to use. Also, it’s a little cheaper than the NAD. Finally, unlike the NAD, it has Dirac right now -- I dislike buying anything for the features that will be released "soon."

People seem to like the BlueOS used in the NAD. But many of us are happier to have the plain Open Home/UPnP interface of the SHD, which is interoperable with a wide spectrum of other units.

The miniDSP does show a little evidence of having been assembled from components, rather than being engineered from scratch. For example, the miniDSP app won’t control it, apparently because the SHD’s Ethernet port is connected only to the streaming board. One can buy a doodad from miniDSP that receives wireless signals and outputs a control signal to the SHD’s USB port, but that is an extra expense and then takes up the only USB input. But really, that’s a small issue, and the SHD does have a fully functional IR remote control.

So for price and function, I chose the SHD. It sounds good to me. I can’t see why the NAD would sound any better.

Hope that helps.

P.S. I think, but am not sure, that the NAD offers only fixed crossover parameters for subs, while the SHD offers complete control of slope and frequency.


@canibefrank: In your consideration of MQA, I suggest you review the history of another lossy, proprietary codec that once was the darling of the audio magazines:  HDCD.  Today, it's lost in the dustbin of audio history; yet when new, purple prose came from the audio writers (in particular, one Robert Harley) of a volume and pitch not seen again until MQA came on the scene.

Like everyone, you will (and of course should) make up your own mind. It never hurts to revisit audio history.