Current or Previous Harbeth Owners…


For those of us that have had or currently have, are there other speakers you’ve listened to that you found sounded “better”?  I’m eyeing stepping into a set of 40.2 or 40.3’s, but am also willing to step in a different direction.  I realize “better” is subjective, but a speaker that does what Harbeth does, but better.  

I have a set of Pass Labs XA100.5’s, FWIW.

toddcowles

Showing 2 responses by donquichotte

I'm a bit in a similar position trying to upgrade from another BBC speaker, the Spendor SP2/3R2. Admittedly I couldn't test a lot of brands, but I couldn't find the "better" sound, at least not for a decent amount of money. I have recently tested  a pair of Sonus Faber Serafino at home and they didn't quite cut it (a very forward but otherwise wonderful tweeter, by the way). I would have liked to also try Devore, Fink, Tannoy (and maybe Fyne) and the other BBC type speakers - Graham, Stirling, maybe you can check them out, I couldn't. So I have just bought the bigger Spendors, the Classic 100 (the equivalent of the Harbeth M40.x). Small room so bass is a challenge, but we'll see what room treatment can do about it.

 

I have also owned a pair of Harbeth M30.2 Anniversary and frankly preferred the Spendors. You can read my impressions here: https://forum.audiogon.com/posts/2700741. For others or in a different system the Harbeth's could simply be the ticket.

@toddcowles : I have owned the Harbeth M30.2 and the Spendor SP2/3R2 at the same time for about an year before selling the Harbeths. That was a couple of years ago or so. The Spendor Classic 100 was a very recent affair and I ended up returning them (which kinda broke my heart, so to speak). The 100’s were offering better separation, much stronger / more impactful upper to mid bass and a slightly clearer and extended treble compared to my SP2/3R2s; however, the midrange was a bit darker and there was a sort of cloudiness / weirdness in the upper bass / lower midrange region making some piano chords sound almost as if the piano was a bit out of tune(!), there was definitely less of the one driver seamlessness of the 2/3s in the bass to midrange area. The bass extension was also less than expected. Overall, I was hearing more sounds but less music. Sad.