Critical listening and altered states


Ok, this is not a question about relaxing, but about listening to evaluate how the system (or a piece of gear is sounding).

What, in your experience, are the pluses and minuses of altering your state of mind for listening? This can include anything you've used to affect your everyday state of mind, from coffee, beer, scotch, tobacco, to much stronger — and psychoactive, dissociative — additives.

What do you gain by altering your consciousness in terms of what you notice, attend to, linger on, etc?
What causes more details to emerge?
What allows you to stick with a thread or, alternately, make new connections?

Or perhaps you like to keep all those things *out* of your listening; if that's you, please say a bit about why.

hilde45

Showing 1 response by whart

I remember the listening scene from the '70s where I grew up (not far from hillbilly country) and what was a listening session was in reality a party, with bodies on the lawn the next morning. Thankfully, I wasn't one of them.
I do most of my listening alone. At one time, I belonged to a club (NYC crowd that met in Westchester and other places) and had my share of sessions with OPS ("other people's systems"). This was obviously before the Internet, which changed how we communicate, putting present circumstances aside for the moment. 
I'm sure I learned during those listening sessions; what the equipment at the time was capable of, what a really good reproduction of double bass or piano (hard to do) is like. 
I find myself listening alone quite a bit and I'm good with that. In fact, when I have had people over during the years (and this extends for decades), I wanted to make sure they were impressed.
But me, alone, exploring music without regard to making sure the stuff is "buffed to a show finish" is a different kind of experience. And in that, I do find some jewels. 
I continue to learn, about artists and their music, and in the process, reassess my perspective on what music is.