Thank you all for the input.
The dissatisfaction comes from ear strain shortly after sitting down to listen. The sound is thinner than I'd like.
Speakers before: Boston Acoustic. Speakers today: Harbeth SHL-5
I deliberately kept the speakers out of the mix to keep the focus on the amp/preamp. I knew that it was not giving you the whole equation but sometimes that helps me solve the problem anyway and keeps me from looking at the less obvious solutions/suggestions.
Without the speakers in the mix, you've taught me two things: 1. Maybe a preamp is not necessary if you have volume control on your source. I can't wait to take the pre-amp out of the mix to see if there is a change, and
2. MF - I read as much as I could and every thing seemed to draw me back to this company. Maybe I misinterpreted information on the MF.
Other ?:
Other than as switching device, general volume control and if present, a phono stage, what is the purpose of the pre-amp? Is the ideal pre-amp one that adds no color at all?
The dissatisfaction comes from ear strain shortly after sitting down to listen. The sound is thinner than I'd like.
Speakers before: Boston Acoustic. Speakers today: Harbeth SHL-5
I deliberately kept the speakers out of the mix to keep the focus on the amp/preamp. I knew that it was not giving you the whole equation but sometimes that helps me solve the problem anyway and keeps me from looking at the less obvious solutions/suggestions.
Without the speakers in the mix, you've taught me two things: 1. Maybe a preamp is not necessary if you have volume control on your source. I can't wait to take the pre-amp out of the mix to see if there is a change, and
2. MF - I read as much as I could and every thing seemed to draw me back to this company. Maybe I misinterpreted information on the MF.
Other ?:
Other than as switching device, general volume control and if present, a phono stage, what is the purpose of the pre-amp? Is the ideal pre-amp one that adds no color at all?