Compromises (recording quality)


I was wondering how others deal with the eternal problem of great music that has been poorly recorded...Do some of you specifically build your system to be as forgiving as possible, or have two different systems or what? I know you can't put garbage in and get tolerable sound out out without great sacrifices to wonderfully recorded music....or (hopefully) am I wrong?
Bob
desoto

Showing 1 response by sugarbrie

Albert, I could not have said it better. I only buy well performed music regardless of the sound quality. My system even makes the bad sounding ones listenable.

I have never gone for an "audiophile" sound. Take all the various terms like staging, transparency, depth, detailed, etc, etc. I have never been in a live music setting where the sound was as perfect as the systems people build. If there is something I go for that is defined in audio terms, it would be PRAT (pace, rhythm and timing); better known simply as music.