Clearaudio v. Teres


I like the "look" of the clearaudio champion or solution as well as the Teres 160 or 255 turntables. I'd love to hear anybody's feedback on which of these tables they like the best. Tonearm/cartridge recommendation? I'd like to buy one of these. I listen to about 75% jazz and 25% classical. Both enjoy positive general reviews. I'm curious about your opinion the sonic differences and mechanical differences between them. Thanks... Jeff
jj2468

Showing 1 response by lugnut

I own neither a Teres nor a Schroder. Knowing what I know about the manufacturers and sonic character of the products accused of being hyped by certain members I would buy without hesitation a Teres 265 and a Schroder 2 If my circumstances were different. I say this even after Chris Brady and I got into it in another thread. Both of these products represent a huge cost to performance ratio. So, from a non-owner of either product AND having met both of the manufacturers, to my ears these are the highest performance analog pieces for the price that I've ever heard.

I really take exception to whoever said the Schroder arms are overpriced and that if a favorable review were to happen then sales volume would increase. Knowing what I know about manufacturing, which is substantial, this doesn't make much sense. Frank is already making as many arms as he can. How could this possibly be shrewd marketing? The current backlog of orders probably weighs heavily on his mind since he is acutely aware that whenever an order is placed that the customer would love to have it right now. Additionally, having such a product made by others would only add to the cost and quality would likely suffer.

I'm not trying to stir up a hornets nest here. Honestly. What I see out of both products are the simplest solutions to difficult engeneering problems. These solutions are manufactured to the highest standards humanly possible and still in reach of the average audiophile. Not that they are cheap but nothing in this hobby is cheap that performs this well.