Clearaudio Double Smart Matrix or Loricraft PRC4

A Point nozzle Design was made for professional use in radio stations, libraries and so on. They are concentrated on the grooves to remove the fluid, always with identical top result, no matter how many records are cleaned. They can't be so fast, but they are better.
Those other designs are faster, the cleaning result is not identical, but good enough for most records. The slot vacuum is across the whole side and after 2 or 3 turns it is done.
The Loricraft is not really silent, but silent enough, no problem. In a way it is a decision what you want to have, speed or a superior removal of the fluid with the dirt in it...
(I went from such a Slot Vacuum Design to Point Nozzle and never looked back...)

Nice RCM's :-)

I am quite familiar with a quite of those RCM's, Odyssey, VPI, Hannl, Monks, Odyssey and so on...Whatever you choose and love, that's fine.But, point nozzle concentrates the vacuum and will result in a drier and more clean record. This is simple Physics. Especially when you use it quite often. The lips from the slot based Vacuum machines will stay wet and then you can forget it more or less. That is the reason, why Monks was so successful in professional areas.
An Audiophile, who uses it only a few times in a row, won't reach any limit from a machine. But the differences exist.

Koegz,
please don't write that. I will have a bad day, when I feel, you don't love me anymore. :-) I think, this Forum is a great one, because you find owners from nearly everything. Based on the - imo - exceptional knowledge here, everyone is able to find an information which is not written in our beloved magazines. I think, this is the main difference here to all others.
Yesterday I got a record - Original Dave Brubeck, Time Out - and it was cleaned from the Dealer. It had noises like mad. When I looked at it, it was super clean, shiny, really really great. I thought, this can't be possible except he used a machine with wet lips, and I cleaned it with my Odyssey (point nozzle).
After this it was silent, no tics, no pops. There are some ways to clean a record.

I can't believe the difference and all those pops and ticks are almost all gone and to me that sealed the deal

Good sound has often its roots in science, some knowledge and the right solutions. I found a nice print, probably it will help to understand how something works

The Point Nozzle Principle

The Keith Monks Record Cleaning Machine is one of the world's best devices (if not the best) for cleaning records and keeping them in excellent condition. 
The Loricraft Record Cleaning Machines (PRC) work along the same principle devised by the late Percy Wilson, but they omit the stationary brush and the motorized unwinding of the buffer thread. The advantage is that the Loricraft machines are about half the price of the Keith Monks. There is also the Odyssey on the Market, when K. Monks passed (Loricraft made their RCM at that time) away and nothing was available, the German Monks Importer built a new one with excellent German parts and some modifications. K. Monks Son Jonathan continues the work of his Dad now.
There are plenty of choices, for every taste, for every amount of money, some work good, some better, some excellent.

APicture for those who love some serious engineering. Inside of the German Source Odyssey RCM :-)

Point Nozzle RCM

Some general information for the lazy User. I am one of those with RCM. My experience the last 12 years with cleaning fluids (please notice, I don't write what is good, better, best, I don't know all fluids). I started 12 years ago with a VPI 16.5 and the VPI cleaning fluid. It is a concentrate. Later I read a lot about home made fluids and the rip off pricing from commercial fluids and I tried my own stuff. In a lot of mixes, I had contact to Audiophiles, we talked endless about how many parts of "this" in "that" and it was a good time.
Years later I got a Keith Monks and was impressed how much more information I was able to hear after cleaning with this kind of Design (Point nozzle). I went ahead with fluids, I bought real expensive ones and after years I realized, no matter what I do, some records won't get silent. Well, to make a long story short, when the vinyl has problems (cooling process, noisy vinyl), I could do everything, it got a bit better, but far away from the results I had with the old vinyl from pre 1990.
Last year I thought, no matter what I use and no matter how good the RCM is, sometimes it is the way it is. Waste of time.
I gave up this Cleaning Fluid Odyssey and went back to the cheap stuff, the one from VPI. and my results are as great as with 10x more expensive fluids.
And I like the results. It is clean.
And those which still have tics, pops have it even after 10 cleaning runs.
That's the way it is.

This thread serves a lot of good information. You will find the solution which works best for your collection. For saving time, try AIVS No.6 or the new MoFi cleaner. You know, there are differences.... :-)