Meaning it's beyond warranty=gottta have a replacement.
Just surprised I like hearing even the least expensive cart enough over the CD's.
Just surprised I like hearing even the least expensive cart enough over the CD's.
Cheap cart confession
DENON 103-I'm limited to something @ .3/4 mv at best. I don't want to bother with a step up. Considered the Hana. I went Soundsmith, just to try MI in my system. I've heard them demoed by Peter. Very nice. Entry level Otello on the cheap. I'm expecting good results. If I had a no holds barred setup, I would have the Strain gauge setup. Im done being obsessed with chasing perfection I can't afford. Just listening to the actual music these days. Get it to an acceptable level-sit back with a beer. I have a crashed ART9 I need to send off to SS for evaluation. Perhaps next tax return I will treat my self to another ART9 or go up the food chain with SS? ANY armchair cartridge gurus here? Expand at the attached pic of the ART9. https://www.lpgear.com/product/ATART9.html The cantilever assembly is completely gone on mine-not broken. If you notice in the picture, it appears the cantilever is fitted into a sleeve assembly?I see an empty sleeve, as if the cantilever simply were pulled clean from the sleeve. Would this indicate a cantilever replacement? I know a typical snapped cantilever is fixed with a new one just glued on the stub. I'm wondering if a cantilever assembly can be inserted back into the sleeve, effectively making the cart "like new?" |
stereo5- Thanks for the suggestion. I had a Sumiko Blackbird repaired by SS year ago. I forgot SS isn't the only game in town. I'm really hoping my ART 9 is salvageable. I'm done with $1K+ carts for awhile. They sound wonderful, but as mentioned earlier, my system is finally at a point it will allow an inexpensive cart to shine. boxer12-it's internal. The stylus is fine. It was a one time, sale final kinda thing. Its a shame, I REALLY enjoyed it. A nice slice of what the fuss is all about. |
I’m happy to report the Soundsmith Otello is performing as expected. I have the current, new body design. Definitely nicer looking than the previous model. Looks like a pricier cart. Just a few album sides in, and minimal fuss, easily heard improvement over the $50 Orto. Very easy setup. This review was helpful, and my findings are similar. https://www.eliteaudiouk.com/single-post/2018/02/26/SoundSmith-Otello-Review-in-HiFi-Choice I was able to compensate for the reported weak bass, with a little tube swapping in the main amp. Mids are quite nice, highs are more controlled, more convincing. The performance gap is noticeably smaller comparing the Orto, and my personal "reference" I’m hoping for a little more improvement as it settles in, and maybe a week or so, I will revisit adjustments. I think I like the presentation more than the similar priced AT OC9II which I think is also nice for the price. Very relaxed, but not sloppy as the Orto can be. By all accounts, the Otello will hold my attention until I’m ready to pony up to the bar again. As always YMMV. |
boxer12- I don't hear any exaggerated sibalance. A go to test track I like is off a1958 mono press of Julie Londons "Julie is her name." "Laura"is performed with only Julie, the great Barney Kessel on guitar, and the bass player. The Otello puts Julie "in the room." Still early, but so far i'm pleased, even though I likely don't have the cart optimized. R&R was tested with some busy prog-Yes and King Crimson. Having the reference sound in my head, not bad. Blasted "I've Seen All Good People" and "In the Court of the Krimson King" with no concerns. The mids, thru my system and ears, appear to be the Otello's strong suit. The Otello is performing beyond expectations. |
I've been able to squeeze in some album sides, since installing the mighty Otello. The weak areas I initially found noticeable, have improved a bit with adjustments and play time. As mentioned, I hear the mid band being MUCH closer to my previous reference than the humble $50 Orto. Very engaging, believable tone. The last bit of detail to cymbal crashes is veiled, yet acceptable in R&R albums. Old recordings of straight ahead acoustic Jazz and Classical sound very good. Vocals, on a good recording are "there" with just a little less presence. The bass not does having the impact of a pricier cart. Turning the sub up a notch helps, along with tube rolling in my setup. It Just doesn't replace a finer cartridge. Three thumbs up for the $399 Soundsmith Otello. |