You may want to investigate the Beethoven set on Pentatone conducted by Phillip Herreweghe. The orchestra plays modern instruments but is led by a conductor with a real background in the Period performance movement. I have ordered it but it hasn't arrived yet. The same forces made a terrific Schubert Great C Major, and the Pentatone sound is truly to die for.
Gardiner's Beethoven set is excellent, but thePPP orchestra sometimes can be a distraction, with their emasculated string tone and squally oboes, etc.
I had burned some of the jJansons Tchaikovsky from the cycle you mentioned. They do sound great. My issue is with the conductor . IMO
He is vastly overrated . He routinely ignores tempo and dynamic markings, which would be ok if he substituted something interesting , but all he seems to do is homogenize everything. He makes Tchaikovsky , Mahler and Stravinsky all sound alike. He does manage to get well engineered recordings. If he is responsible for that, then I give him credit. I suspect that he has been lucky in his pairings with producers
Gardiner's Beethoven set is excellent, but thePPP orchestra sometimes can be a distraction, with their emasculated string tone and squally oboes, etc.
I had burned some of the jJansons Tchaikovsky from the cycle you mentioned. They do sound great. My issue is with the conductor . IMO
He is vastly overrated . He routinely ignores tempo and dynamic markings, which would be ok if he substituted something interesting , but all he seems to do is homogenize everything. He makes Tchaikovsky , Mahler and Stravinsky all sound alike. He does manage to get well engineered recordings. If he is responsible for that, then I give him credit. I suspect that he has been lucky in his pairings with producers