@jimf42 I totally agree. The sensitivity of my setup is such that media production is crucial. As with any high end systems, poor recordings will be amplified.
Cartridge or Pre Amp
I recently picked up the Pro-Ject Tube Box DS and I am tickled pink on how warm and yet dynamic it remains. I’ve noticed that there seems to be some front stage darkness
on some older records. Nothing more volume can’t fix. Would upgrading my AT-ML150 cartridge or the pre amp would this phenomenon or it simply a characteristic of the production and pressing of its day?
AT-AL150/OCC Cartidge
Pro-Ject Tube Box DS
Bryston 4B3
Bryston Model T speakers
Simaudio MOON NEO Preamp
OPPO UDP-205
My setup:
AT-AL150/OCC Cartidge
Pro-Ject Tube Box DS
Bryston 4B3
Bryston Model T speakers
Simaudio MOON NEO Preamp
OPPO UDP-205
Showing 11 responses by joyofsound
Sorry for the incorrect link I provided. My cartridge is indeed the AT-ML150 OCC I don't mind spend the necessary $ to address/compliment my system. Hearing the details of your favorite track and jamming of a band in synergy is some of the best legal dependencies of life. I'd love to hear more opinions on other phono stages people have had positive experiences on. Keeping in mind that I'm after a warmth that a tube offers, but not limited to a tube preamp. |
The current Tube Box DS has the ECC 83 tubes just like some of the higher priced tubed stages carry. I'm all for upgrading but I'm also aware of the diminishing returns on said upgrades. I'll triple check the DIP switches. http://www.project-audio.com/main.php?prod=tubeboxds&lang=en |
Thanks @chakster for the valuable information you provided. I'm all in for testing various components and hearing the results. Of course results may vary. I'd like to start out by testing the ATN170 / ATN180 styli, a high output MC.Testing various various tubes and finally different sound stages. Thanks for posting the links. This has been very educational even to a audiophile like myself. |