Capital Audio Fest Notes


I didn’t see a show thread yet so figured I’d start one.  Not sure if this is the right place but, if it’s not, feel free to move it…or combine if I missed another one. 

I was there all day Friday and a few hours on Saturday.  You could easily get around in a day. The layout was simple and fairly logical.  Rooms were rarely seatless (every seat filled). Most patrons and dealers/manufacturers were in a good mood. I visited multiple rooms more than twice just to go back and compare and be sure I heard assorted music as occasionally you’ll walk in and someone just put on some female vocal/oboe/finger cymbal track that I despise. These were my favorite rooms. Feel free to ask about anything at the show except turntables as I know nothing about them and didn’t see what was on display. Most rooms did have them but played them only occasionally. I assume they want people to be able to play tracks they want to hear and the variety Qobuz offers is best for that. For reference my current system is Ayre KX-R preamp, Ayre AX-5 as an amp or integrated, Ayre V-5xe, Lumin U1 Mini, MHDT Balanced Pagoda, Teac NT-505, Bricasti M3 (borrowed from our resident DAC expert @verdantaudio) and Salk Encore speakers with the Audio Technology midrange from the 9.5. 


Black Ice Audio

F100 Monoblocks using KT170 tubes

Fusion F360 preamp

11 year old Vienna speakers

Some small rear speakers for soundstage tweaking using the F360

This room sounded great. I know they were using the rears to pull the soundstage a little forward and make it fuller and it worked great.  I loved the sound of this room. They used the same front speakers at the Tampa show before COVID and I thought they were great there. You knew you were listening to tubes but there was nothing slow, soft or boomy about it. Jerrod, the CEO, is always enjoyable to talk to.


CommandAV

Gryphon Diablo 300

QLN Prestige Five

I love these speakers. Something just sounds right about them.  Not too detailed but not rolled off. They only make 3 models and the standmount was in my favorite room (see below). Dynamic, huge soundstage, great imaging. Probably spent more time in here than any other room as it was near the entrance and fairly decent size so there was plenty of room most of the time. The CommandAV people were super nice (I believe his name was George) allowing people to put on whatever they wanted.


Bache Audio

Bache Speakers

AB Audio (stands for Alexus/Bache, bad idea for trying to Google) Class D integrated

This room just made music.  So enjoyable to listen to with no exaggeration of any frequencies. I heard the floorstanding Urban-002 and the standmount Sonata-EX. I couldn’t believe when I sat down on Saturday (3rd visit I believe) and saw the Sonata’s were playing. I don’t think I’ve heard a speaker sound this good for the price.  The amp/speaker combo was like $4500 on show special. They will be super easy to setup and can be 6 inches from the wall or way out according to Greg, the owner. I may get a pair just because. They’re that inline with my tastes. I would bet sound of the amps may not matter as much with these as other speakers (just a guess). Harbeths are similar in that amps don’t matter quite as much.  It’s all going to sound good it’s just a matter of what flavor you’re looking for.


Amped America

Amped AMP2400 I think. But they only list 2 on their website.

AQ (Acoustique Quality) Passion25

I’ve never head of either of these brands.  They had Unison (think Unico) stuff around but it was never on when I was in there. Not sure there was any one thing that stood out. They just sounded how I like. Maybe a little tubey, maybe a little solid statey. Great imaging, soundstage, texture. The electronics were less than $5k while the speakers I think were about that or less. This room was a great value room that I could easily live with. I will say the racing stripe on the speakers are not my taste but my 19 year old son thought they looked really cool (sporty is the word I would use).


AGD

AGD Audion or Grande Vivace

Ocean Way Eureka (I think) Speakers

I loved this room in Tampa and I loved it here.  There something about the sound that grabs me.  It’s not like any of the other rooms. You want to listen to see how good everything sounds. It may sound so good and different that I spend more time listening to how good it sounds rather than actually listening to the music. Just a thought but maybe that’s why I’ve been afraid to pull the trigger to try them. 


Salk

McGary SA1e

Salk no-name speakers with dual Purifi Woofers

Jim Salk made these speakers before the show but hasn’t named them.  He’s taking orders as far as I know. I have the Encores which are big speakers. These are much smaller but dig deep with tight, tight bass. I would buy these if I didn’t have the Encores. About the same price.  I’ve never heard McGary amps before.  I may actually buy one now. Two of my favorite rooms were playing them. Great combo of stereotypical (no pun intended) tube and solid state sound. Any music will be listenable but not plush or euphonic. Supposedly they put out 35 watts and they were driving 87 dB (I think) speakers easily.


Favorite room:

Dr Vinyl

McGary SA1e

Bakert Labs Rhythm 1.3 preamp

QLN Prestige One

This room was, to no surprise, an all vinyl room.  Jose (Dr Vinyl) is incredibly friendly and excited about audio. The QLN’s were incredible, especially for their size, and price for that matter. The disappeared, didn’t lean in one direction tone-wise and had bass that didn’t need a sub. I asked to play some rock after hear way too little at the show.  He threw on an original pressing of Led Zeppelin II, “Whole Lotta Love”. We had left a room the previous day due to how bad this track sounded on another system (can’t remember which). In this room, it sounded exactly like you’d want Zeppelin to sound, Rock, blues, ragged and raw. I could have brought the whole system home on the spot, except the crazy looking and, I assume, expensive turntable and live happily ever after. It’s not that I didn’t like the turntable it’s probably just way, way more than I would currently spend on vinyl. 

There were plenty of other good ones. Honorable mention to Volti and TAD. I spent some time talking to Mark O’Brien from Rogue. He’s a really friendly and approachable guy. They have a new Stereo 100 Dark (Stereo 100 with better parts) out. It sounded great paired with B&W’s new 504 speakers. Anyone looking for a powerful tube amp under $5k should take a look.

Oh, the Von Schweikert über expensive room was outstanding but a little above my credit card limits. The Ultra 11 (I think) are huge but can sound delicate and small or orchestral huge depending on the music.  Really impressive what they can do. Cost no object I don’t think I’ve heard better. 

I’ll update if I realize I’ve forgotten something. Feel free to fill in models or anything else if I got something wrong. I look forward to the next show.





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Showing 2 responses by divertiti

The VPI/JBL room was kind of hard to find, it was a corner room at the end of its own hallway, away from the cluster of rest of the rooms on floor 3. I only found it by asking people.
I think this thread perfectly encapsulates the subjective and personal nature of audio preferences. Some of the rooms that others named as top I did not care for at all, while the best sounding room to me has not been mentioned yet. I will caveat that I didn’t have time to visit every single room but did go to most of them.

--Best of Show--

My best of show by a LONG shot was the Kharma Exquisite Midi with Conrad Johnson Art 300 monos and GAT S2 Pre. This room had it all, power, dynamics, grace, refinement, nth degree of detail, naturalness, liquidity, cohesive and huge soundstage, and no matter what music was playing, you NEVER heard the speakers, it was just the performance in the front of the room. The craziest thing is they had trouble with their Aurender server so the source was just a 15 yr CambridgeAudio 740C CD player with dual Wolfson onboard DAC direct analogue out to the pre. This room was a surprise all the way through, never heard Kharma speakers, never thought CJ gear and Kimber cables could sound like this. I would take this room over the $1M von schweikert + VAC room. It is now my new reference point and absolutely mind boggling. Met a few industry insiders and they agreed as well.

--Good rooms--

The Von Schweikert obviously has fantastic sound, crystal clarity with beautiful imaging and scale. The clean sound provided so much insight into the music, not just information, but intention as well. My only criticism was that both through the Esoteric N01-XD dac and through the turntable, it lacked a bit of tonal body, not sure if it was the room or which part of the system causing that.

The Gobel room with the Wadax reference dac and server, CH precision L1 pre and the Parasound JC1+, this was a great sounding room, but can’t help but think it could have been in top contention had they used better amps.

The Joseph Audio Pearl 20/20 with all Emm Labs electronics. Great sounding room, really transparent and dynamic, however the speakers were toed in too much to give the wow effect, a bit bright after awhile, if the speakers were toed out more like how JA speakers are usually set up, would have been even better. The little JA Pulsars with the Bel Canto integrated amp in a small room upstairs was also a good sounding room, but not at this reference level.

The Genesis Maestro speaker was a great sounding room when it was playing from the $150K Genesis Turntable System source. When they switched to digital through the Emm labs DA2, the sound got a bit hard and bright but only on certain recordings. The brightness from the JA Pearl 20/20 room might have something to do with the Emm Labs gear as well, not sure.



-- Pleasantly surprised --

Volti Razz with Border Patrol P21X amp and Border Patrol DAC - Never heard Volti speakers before, but these are dynamic, coherent, engaging and effortless. Maybe not the last word in detail, but you just kept on wanting to listen. I owned the Border Patrol DAC before and thought they were too colored, but in this system it works. I would take this room as a fun second system, but would still switch out to something more neutral.

Spatial Audio X4 driven by LTA integrated amp and Holo May KTE DAC - This system sounded fantastic, refined and balanced top end, pressurized the room with clean, tight yet impactful bass, the room was pretty packed so didn’t get to sit in the sweet spot to gauge soundstage, but pretty impressed

Daedalus (small one upstairs), Lampizator Baltic dac, LTA Pre and Amp - These are really coherent speakers, fast and clean sound built on balanced bass foundation, impact with no overhang, sparkle without brightness, great tonal density and dynamics on piano strokes which is a hard thing to do. Criticism is that in that room, the soundstage was stuck between the speakers, didn’t play big, but really good sounding overall

AGD pre and monos with Oceanway speakerr - Really clear sound with polish, refinement and a touch of sweetness, confirmed all the praise AGD has been getting on the forums for great value in high performance. It was in a small room with speakers almost up against the wall, hard to gauge the full potential of the electronics for soundstage depth, criticism is that the sound sometimes had a touch of brightness to them, but suspect it was the speakers.

-- Disappointements --

JBL Everest, T+A electronics, VPI Turntable - Some people at the show told me how amazing this room sounded, huge soundstage and very un-horn like sound, and I walked in there expecting that and was sorely disappointed. I sat in the middle of the first row of seats (out of 2 rows), should have been the sweet spot. The two giant horns were pretty close to the listening position and toed all the way in directly to each year. Over 2 songs (Black Crow - Steely Dan and Hungarian Rhapsodies classical piece), the sound was entirely localized to each speaker, sounded very forward and brash, could not make myself to stay for a 3rd song. It's possible that front row was too close to the speakers, and people standing behind the 2nd row were getting the magic.

Borressen 05 Silver with Thrax R2R DAC and Thrax Hybrid Monos - it sounded harsh and bright, couldn’t keep me engaged in the room, I kept on wanting to leave

Audionote UK NE - SPE -HE speakers, Meishu integrated amp, - sounds very pleasant, natural and open with certain type of music, I can see why certain types of audio file loves this gear. But to me, it lacks transparency, scale and dynamic impact, all of which I hold as very important. When you put on a song like Thriller, it just sounded small, uncertain and outmatched

Cube audio speakers, Pass labs electronics, Lampizator DAC, Silversmith speaker cables - might have been a difficult room as the system was setup almost right in the middle of the space, but it sounded boxed in, and the sound utterly confined to the speakers, sounded like...radio. Granted this was on the first day, they might have dialed it in better later

All in all a great show, definitely raised my reference bar for certain things.