CALLING ALL YAMAMOTO A-O11 2A3 OWENERS /


AS THE HAPPY AND PROUD OWNER OF THIS MUSICAL MASTERPIECE FOR OVER THREE YEARS I WOULD LIKE TO KNOW WHAT YOU GUYS THINK ABOUT THIS BLISSFUL 2A3 INTERGRATED AMPLIFIER/I DOUGHT IT WILL EVER RECEIVE THE HIGHLY ACCLAIMED PRAISE AS IT'S BIG BROTHER, BUT IT IS A AWESOME AMPLIFIER THAT IS MINDBLOWING/ THE MUSICAL TONE OF THIS DEVICE PULLS YOU TO THE LISTENING CHAIR THEN TRANSPORTS YOU INTO A UNFORGETABLE MUSICAL EXPERIENCE TO DIE FOR/ GREAT LITTLE INTERGRATED /////
fortapache

Showing 6 responses by jetrexpro

Fortapache,
It was my great pleasure to spend an afternoon with you and your lovely music making system. Thank you for turning me on to music that I had not heard before. Here's to Chet Baker!! Looking forward to seeing you this weekend in my home. Hoping phduncanson can join us.
Charles,
An interesting question and since our systems (speakers especially) are very different. Fortapache's Abbys/2a3 Yammamoto simply make music with immediacy and excellent pace with no embellishment. I was struck by agility of the 2a3/abby's. A Jazz lover's system for sure with a purity that was compelling. My AN-e's with 300b's add a richness and texture to the music. A palpable reach out and touch richness but with clarity and pacing. I would love to hear my E's driven by the Yammamoto. Niether of us use preamps.
Both systems can play many types of music, but if I were playing Rock and Classical I would lean to the Audio Notes and if I were a mostly Jazz fan I might head towards the Abbys.
Thanks so much for your kind words Fortapache! I think most of the credit goes to my Audio Note speakers which I dearly love and come to respect more each day. They are on the warm side of neutral but as long a I taylor my electronics to compliment sonic bliss is not far away!

Thanks as well to the nod to my vinyl rig. The VCap and AN Copper Cap combo in my home brew phono pre is working out pretty well so far.

See you again soon and next time we will have the pleasure Phduncanson's company.
Totally agree with Charles 1 on his assessment of "Chet". I bought a vinyl copy a week ago and cannot get over how beautiful the trumpet sounds. It is as if Baker is somehow still breathing into his horn after he releases a note. Every phrase from his trumpet lofts into the air and suspends there as its meaning grows in relation to the previous phrase and the phrase he is about to play. Pepper Adams Bari sax is the perfect foil to Baker. The engineer added some reverb or perhaps the room they recorded in had a natural reverb. This adds to the richness.

An early must have is the Pacific Jazz Records two CD set of Gerry Mulligan Quartet. 42 tunes. Mulligan and Baker weave in and out of each other's musical space in a pleasing Bachian display of improvised counterpoint.
Charles 1,

I listened to "Night Lights" on line. Very nice. Will put it on my list. I don't have much Art Farmer.